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Jazz Articles about Matt Garrison

4
Album Review

Ben Basile: Benergy

Read "Benergy" reviewed by Kyle Simpler


Musical performances often showcase more than just an artist's talent. Whenever musicians play, the audience gets hints at their influences as well, because it is not often easy to conceal the impact of musicians who have helped shape the sound. In many cases, the influences are specific players the artist studied while earning the craft. However, some players draw from a broader palette, and such is the case with Ben Basile. With Benergy, bassist and composer ...

6
Album Review

Matt Garrison: Patchwork

Read "Patchwork" reviewed by Dan Bilawsky


Instead of simply homing in on one specific musical coordinate, saxophonist Matt Garrison decided to widen his focus and hit a few different targets with his third album. The aptly-titled Patchwork finds him looking toward “initial musical influence, educational influences, and current outcomes." It's a collection of Garrison's personalized yesterday-meets-today musical scenarios. It's hard to know whether Patchwork should be defined as a vocal record with strong instrumental appeal or an instrumental album with a vocalist out ...

4
Album Review

Matt Garrison - Saxophone: Blood Songs

Read "Blood Songs" reviewed by Edward Blanco


Presenting a primarily original repertoire of sparkling modern jazz, New York saxophonist Matt Garrison follows up his critically acclaimed debut, Familiar Places (DCLEF, 2011), with Blood Songs, an audacious musical tribute to his loving parents. With the exception of producer/trombonist Michael Dease, Garrison assembles a new all-star list of players, including veterans like saxophonist Eric Alexander and trumpeter Greg Gisbert, who mix it up well with young, up-and-coming stars including pianist Roy Assaf and drummer Ulysses Owens, Jr.The ...

1,383
Extended Analysis

Matt Garrison: Shapeshifter

Read "Matt Garrison: Shapeshifter" reviewed by Phil DiPietro


In Y2K, Bass Player Magazine pronounced Matthew Garrison's debut as having “raised the bar" for electric bass players (in an article by Chris Jisi, who recently wrote the book on modern electric bass). What next, then? Fitting in this Olympic year, Garrison steps back from the bar, raises it a foot, challenges himself to make it over and succeeds on every level, turning in the greatest solo record by an electric bassist in the post-Jaco era.Not merely a ...


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