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About Mathias Eick

2

Album Review

Mathias Eick: When We Leave

Read "When We Leave" reviewed by Mario Calvitti

by Mario Calvitti

Per il suo quinto album da titolare per la ECM, il trombettista norvegese Mathias Eick riparte da Ravensburg, il precedente lavoro pubblicato nel 2018, mantenendo quelle atmosfere rendendole un po' più sognanti e malinconiche, e confermando in toto i musicisti che vi avevano preso parte. A questi si aggiunge il chitarrista Stian Carstensen, già presente sul primo disco di Eick The Door, che con la sua pedal steel guitar incrementa la già ricca tavolozza timbrica a disposizione del gruppo, spargendo ...

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1

Live Review

Hong Kong International Jazz Festival 2019

Read "Hong Kong International Jazz Festival 2019" reviewed by Rob Garratt

by Rob Garratt

Hong Kong International Jazz Festival 2019 Hong Kong City Hall; Hong Kong Park Hong Kong September 22, 25-27 We've long been told that jazz is a world language, but regional dialects are becoming an increasingly louder part of the conversation. Sitting conceptually, if not geographically, on the nexus of east and west, the Hong Kong International Jazz Festival (HKIJF) might be ideally placed to explore divergent streams of contemporary jazz—and indeed the ...

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Album Review

Mathias Eick: Ravensburg

Read "Ravensburg" reviewed by Neri Pollastri

by Neri Pollastri

Dopo il viaggio in una memoria immaginaria del precedente Midwest, ritratto di un Canada che gli ricordava la natia Norvegia, Mathias Eick passa a una memoria vissuta, legata all'infanzia e ai legami affettivi, raccolta in un lavoro che doveva chiamarsi Family come la traccia che lo apre e che poi ha preso il nome dalla città tedesca in cui era nata la nonna. Come nel precedente lavoro, la tromba del leader è affiancata dal violino, stavolta però affidato ...

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10

Album Review

Mathias Eick: Ravensburg

Read "Ravensburg" reviewed by Mike Jurkovic

by Mike Jurkovic

Choosing to explore the greater stage we all inherit then maneuver to the best of our abilities and intentions, Ravensburg, Norwegian trumpeter Mathias Eick's fourth ECM release, is, like the life force itself, an airy, ambient, triumphant affair, casting light and shadow on the potential victories and pratfalls faced within the circle of family and its place within the larger community of friends and strangers. Coming to life in his grandmother's small home town in southwestern Germany, Eick's ...

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24

Album Review

Mathias Eick: Ravensburg

Read "Ravensburg" reviewed by Karl Ackermann

by Karl Ackermann

On his previous ECM release, Midwest (2015), trumpeter and composer, Mathias Eick plotted the course of his Norwegian ancestors to the heartland of America. Drawn from his own travels as well, Eick applies personal experiences and family lore once again on Ravensburg, named for the German town of his grandmother. Here the journey is closer to home and considers Eick's roots in Germany as well as Norway. The inspirations--as the song titles indicate--are family, friends and other close relationships whose ...

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7

Album Review

Motif: My Head Is Listening

Read "My Head Is Listening" reviewed by John Sharpe

by John Sharpe

Formed in 1998, Norwegian sextet Motif celebrates its sixth release with My Head Is Listening and its second on Clean Feed following Art Transplant (2011). Bassist Ole Morten Vågan, who co-founded the outfit with reedman Atle Nymo, is once again responsible for all seven compositions. As well as Motif, he boasts some heavyweight credits with Joshua Redman, Chick Corea and Kris Davis, and testament to his organizational skills, has also been appointed Artistic Director of the renowned Trondheim Jazz Orchestra ...

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33

Album Review

Mathias Eick: Midwest

Read "Midwest" reviewed by Karl Ackermann

by Karl Ackermann

The northern tier of mid-western America had been a strong draw for Norwegians from the late 1800s into the twentieth-century. Trumpeter and composer, Mathias Eick, in making his own recent journey from Norway to the heartland, discovered a cultural heritage and a familiarity that moved him to set the experience to music. Like Norsemen since the time of Leif Ericson, the impressions of the land and the people provided the catalyst for a unique and holistic representation of this environment ...

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