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Jazz Articles about Mary Halvorson
Adam O'Farrill: For These Streets
by Angelo Leonardi
Con questo nuovo disco Adam O'Farrill scrive una delle pagine più avvincenti del 2025, confermando di non essere solo un magistrale trombettista ma un compositore d'alto spessore anche per medio organico. Nei quattro album col quartetto Stranger Days, ha dimostrato di saper integrare con coerenza le forme del post bop degli anni sessanta con gli sviluppi delle avanguardie successive e in questo ottetto stellare prosegue, ampliando lo spettro armonico e timbrico con l'uso di vibrafono (Patricia Brennan), chitarra ...
Continue ReadingMary Halvorson, plus new music from Tarun Balani, Brandee Younger and Eduardo Elia
by Hobart Taylor
A preview of Mary Halvorson's latest, plus new music from Tarun Balani, Brandee Younger and Eduardo Elia and an interview with saxophonist Kevin Sun. Playlist Olga Amelchenko “Howling Silence" from Howling Silence (Edition) 0:00 Miles Davis “I See Your Face Before Me" from The Musings of Miles (Remastered) (Craft) 5:07 Changamire" It's April" from Seeking Billie: The Unusual tribute to Billie Holiday (Sonnig) 9:50 Host Speaks 13:06 Eduardo Elia “II" from Desvikos (577) 15:11 Mary Halvorson “Carved From" ...
Continue ReadingSylvie Courvoisier Mary Halvorson: Bone Bells
by Mike Jurkovic
Guitarist and sound-chaser Mary Halvorsonnever fails to hypnotize. Add the equally hypnotic pianist Sylvie Courvoisier and beauties like Bone Bells materialize to shift your news-exhausted consciousness to greater possibilities. Bone Bells does that. Bone Bells does it often. Once again each woman is determined to investigate every tangent of the sonic atmosphere. Willfully and excitedly breaks down the margins of contemporary chamber and avant-garde, Courvoisier (who gets along rather well with many musical mavericks, notably Wadada Leo Smith ...
Continue ReadingSylvie Courvoisier and Mary Halvorson: Bone Bells
by John Ephland
Tonally, these two artists offer what feels and sounds like an ideal fit. Pianist Sylvie Courvoisier and guitarist Mary Halvorson are in no hurry with , their third collaboration as a duo, the title coming from a passage in the novel Trust, by Herman Diaz. There is gentleness mixed with a kind of dreaminess, interspersed with what feel like spasms of either delight or some sudden fury of exposition that must find an outlet. And like all duo ...
Continue ReadingSylvie Courvoisier and Mary Halvorson: Bone Bells
by Jack Kenny
Sylvie Courvoisier and Mary Halvorson! The combination of two such unconventional musicians is both rewarding, challenging and unnerving. The two women are radical disruptors. Their visions and their ambitions are vast. Their range of influences is dizzying. Their creativity seems limitless; their refusal to be conventional is absolute. Even the mechanics of their instruments are subject to their inventiveness. The extent of their comprehensive insurrection is not really acknowledged. Does their gender obscure it? In many ways, their ...
Continue ReadingSylvie Courvoisier and Mary Halvorson: Bone Bells
by Troy Dostert
Given that Sylvie Courvoisier and Mary Halvorson are two of the most distinctive instrumentalists in the world of jazz and improvised music, it is a particular treat to hear them together in a duo configuration, where the intimacy of the setting allows for a fuller appreciation of their virtuosity and empathetic sensibilities than is sometimes possible on their more ambitious group projects. Courvoisier's pianistic prowess can be astonishing, but on recordings like 2023's Chimaera (Intakt Records) it was her arranging ...
Continue ReadingSylvie Courvoisier and Mary Halvorson: Bone Bells
by Dan McClenaghan
Pianist Sylvie Courvoisier and guitarist Mary Halvorson are the boldest of musical artists. Bold and uncompromising, each with distinctive voices coming from different places. For Courvoisier, it is the classical music world and European chamber music that she mixes with the sounds of avant-garde jazz. Halvorson started out early with the violin, until the sound of the guitar of Jimi Hendrix pulled her into the freer and more hard rock realm. This move picked up momentum when she sat in ...
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