Jazz Articles about Mark Allen

About Mark Allen

Album Review

The Len Pierro Jazz Orchestra: As I Was Saying

Read "As I Was Saying" reviewed by Jack Bowers

by Jack Bowers
February 17, 2025

Remember the good old days before high-tech hardware and software seized control and the country's leading big bands were recorded in a studio or in concert employing a wide dynamic range with no overdubs or splices to enhance the performance? Composer and arranger Len Pierro does, which is why he planned As I Was Saying, the second album with his Philadelphia-based Jazz Orchestra, to mirror those classic recordings by the likes of Woody Herman, Count Basie, Duke Ellington, Buddy Rich ...

Album Review

Jim Levendis: The Big Band Project

Read "The Big Band Project" reviewed by Jack Bowers

by Jack Bowers
August 28, 2022

Jim Levendis knew that time was running out. In his mid-seventies, the veteran Philadelphia-area trumpeter and educator had contracted ALS (Lou Gehrig's disease), the effects of which were rapidly sapping his energy and ability to function. As the disease progressed, Levendis confided in Len Pierro, a band mate in the Ward Marston band, that there was one thing he would dearly love to do while he was still able: record some of the big-band arrangements he had written over the ...

Album Review

Warriors of the Wonderful Sound: Soundpath

Read "Soundpath" reviewed by Mark Corroto

by Mark Corroto
July 9, 2021

If we alter President John F. Kennedy's 1962 moon spaceflight speech just a bit, it easily fits the big band adaptation of Muhal Richard Abrams' magnum opus Soundpath, “We choose to perform this composition not because it is easy, but because it is hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept." Accepting the challenge was band leader Bobby Zankel and ...

Album Review

Warriors of the Wonderful Sound: Soundpath

Read "Soundpath" reviewed by Giuseppe Segala

by Giuseppe Segala
May 31, 2021

Nel 2011 il sassofonista di Filadelfia Bobby Zankel, leader della big band The Warriors of the Wonderful Sound e promotore di laboratori di musica contemporanea, propose a Muhal Richard Abrams un lavoro compositivo che avrebbe dovuto essere affidato alla band, con la direzione dello stesso pianista. Operazioni di questo tipo erano già state realizzate da Zankel negli anni precedenti con le musiche per big band di Julius Hemphill, dirette da Marty Ehrlich, poi con composizioni di Rudresh Mahanthappa e Steve ...

Album Review

The Len Pierro Jazz Orchestra: The Third Quarter

Read "The Third Quarter" reviewed by Edward Blanco

by Edward Blanco
February 7, 2021

Flourtown, PA native Len Pierro unveils one monster big band album that will be reverberating well beyond the boundaries of Pennsylvania and from radio studios throughout the jazz landscape for quite a long time. The Third Quarter is The Len Pierro Jazz Orchestra's recent offering and what an offering of fresh original compositions and re-imagined jazz standards it is. The 63-year-old saxophonist has produced one heck of an album of traditional straight-ahead swinging jazz that defines what ...

Album Review

The Len Pierro Jazz Orchestra: The Third Quarter

Read "The Third Quarter" reviewed by Jack Bowers

by Jack Bowers
January 9, 2021

Any big-band album that opens with a rollicking Four Brothers-style saxophone soli is all but guaranteed to capture one's ear and interest. As it turns out, the buoyant “Fill in the Gap," on which the sax section sparkles, is but the first of many sonic delights on The Third Quarter, a marvelous new CD by Philadelphia-based composer / arranger Len Pierro and his world-class Jazz Orchestra. Simply put, there are no discernible blemishes to mar a bright and picturesque tour ...

Extended Analysis

Soundpath

by Victor L. Schermer
January 2, 2021

Muhal Richard Abrams (1930-2017) was a revered pianist, composer and teacher of great capability and range who, in addition to his own achievements, inspired and influenced many jazz musicians in both the mainstream and avant-garde categories. Largely self-taught as a result of a personal decision to follow his own path, and early on pursuing church music, big band, blues, bebop and avant-garde jazz in his home city of Chicago, he grasped music from its roots, and so was able to ...