Jazz Articles about Logan Kane

About Logan Kane

Album Review

Where will new musicians gain their experience? Alden Hellmuth, a saxophonist, composer, and improviser based in New York City, offers one compelling answer: by forging her own path. A graduate of the Herbie Hancock Institute of Jazz, she was awarded the 2025 German Jazz Prize for Debut Album of the Year and has appeared internationally at major venues and festivals, including the NYC Winter Jazz Festival, the Hollywood Bowl, the Blue Note Jazz Festival, and International Jazz Day ...

Album Review

Nicole McCabe: Mosaic

by Chris May
May 27, 2024

Alto saxophonist Nicole McCabe's Mosaic is produced by guitarist Jeff Parker, among whose other plus points is his relationship with International Anthem (IA), the Chicago-based label which has brought us Makaya McCraven, Jaimie Branch, Irreversible Entanglements and Ruth Goller, among other artists of note. Parker has released two albums on the label and is heard on all three of McCraven's albums for them. It is worth keeping on the radar any musician linked with IA, because since the mid-2010s it ...

Album Review

Marilyn Scott: The Landscape

Read "The Landscape" reviewed by Jim Worsley

by Jim Worsley
June 16, 2022

Some artists feel obligated to put out a new record every one-point-three years, or whatever their factory warranty calls for (mileage may vary). Others are more interested in quality than quantity. On her first record since Standard Blue (Prana, 2017), jazz vocalist Marilyn Scott has something to say about The Landscape. More than the title track, Scott's concerns with our landscape is the scope and focus of seven original compositions, all co-written with pianists Russ Ferrante or Scott Kinsey. Scott ...

Album Review

Michael Orenstein: Aperture

by Jack Bowers
June 14, 2022

California-based pianist Michael Orenstein's debut album, Aperture, consists almost entirely of his original compositions, performed by a core trio of Orenstein, bassist Logan Kane and drummer Myles Martin with guest artists on half of the studio session's ten numbers. Even though those visitors make a strong impact, it is Orenstein's eloquent voice that speaks loudest and most decisively, making each number a touch brighter and more engaging than it otherwise might have been. Kane and Martin, however, ...