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About Lisle Ellis

158

Album Review

Lisle Ellis: Sucker Punch Requiem: An Homage to Jean-Michel Basquiat

Read "Sucker Punch Requiem: An Homage to Jean-Michel Basquiat" reviewed by Clifford Allen

by Clifford Allen

Painter, graffitist and collagist Jean-Michel Basquiat was an unmistakable force in New York during the late '70s and into the '80s, certainly the latter decade's first American art stars and one of the art world's first black stars. Initially known by his tag SAMO (referencing both Sambo and “Same Old..."), he was championed by Warhol for his use of street language and vernacular elements in a proliferation of large, abstract paintings. He was also guitarist in the no wave band ...

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324

Album Review

Lisle Ellis: Sucker Punch Requiem: An Homage to Jean-Michel Basquiat

Read "Sucker Punch Requiem: An Homage to Jean-Michel Basquiat" reviewed by Troy Collins

by Troy Collins

Canadian born bassist and Renaissance man, Lisle Ellis opens a new chapter in his development with Sucker Punch Requiem. A tribute to the revered painter Jean-Michel Basquiat, Ellis' all-star septet offers a diverse program of musical ideas that mirrors Basquiat's idiosyncratic vision.

With ties across Canada, New York City and the Bay Area, Ellis has been a highly valued collaborator for almost three decades. A brief hiatus from performing in the late 1990s found him channeling his creative ...

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