Jazz Articles about Lisa Sokolov

About Lisa Sokolov

Album Review

William Parker: Migration of Silence Into and Out of the Tone World

Read "Migration of Silence Into and Out of the Tone World" reviewed by Karl Ackermann

by Karl Ackermann
February 13, 2022

If multi-instrumentalist/composer William Parker's ten-CD Migration Of Silence Into And Out Of The Tone World suggests a cohesive, high concept plan, it is something more. The beautifully packaged clamshell box set is comprised of mutually exclusive projects—one dating back ten years—with some common themes. There is an overall dedication of the music to “all people of the world who are searching for freedom...." Pandemic downtime resulted in Parker's accumulating enough material for many of these albums. Viewed as a whole, ...

Album Review

William Parker: Migration of Silence Into and Out of the Tone World

Read "Migration of Silence Into and Out of the Tone World" reviewed by Giuseppe Segala

by Giuseppe Segala
January 25, 2021

L'attività musicale di William Parker è stata copiosamente documentata da circa centocinquanta dischi, che spaziano in un caleidocopio di gruppi fondati dallo stesso contrabbassista, formazioni cooperative, omaggi, collaborazioni. Ma nessun singolo lavoro, fino a questo momento, aveva focalizzato l'attenzione su un ventaglio di ispirazioni così ampio e completo come si fa ora nei dieci CD del cofanetto The Music of William Parker—Migration of Silence Into and Out of The Tone World. In questo lavoro monumentale, che viene ...

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Album Review

Lisa Sokolov: A Quiet Thing

Read "A Quiet Thing" reviewed by Donald Elfman

by Donald Elfman
May 30, 2009

No song is a simple thing in Lisa Sokolov's hands, for she delves into the magical possibilities of the voice and the beauty and mystery of words. Her third album, A Quiet Thing, extends the power of her earlier recordings, continuing her progression towards the majestic and ecstatic “silence" of the universe. She bills her new recording as “solos, duos, trios and quartets," utilizing Cameron Brown (bass), Todd Reynolds (violin), Gerry Hemingway (drums), John DiMartino (piano) and Kermit Driscoll (electric ...

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Album Review

Lisa Sokolov: A Quiet Thing

Read "A Quiet Thing" reviewed by Eyal Hareuveni

by Eyal Hareuveni
March 25, 2009

Singer Lisa Sokolov knows how to make songs her own. Master vocalist, renowned improviser, music therapist, and lay cantor, New York-based Sokolov reaches into the inner, quiet soul of the 12 songs, standards, and even the Jewish liturgy and a modern poem on A Quiet Thing. She rediscovers songs that become an important part of our emotional and intellectual world in times of crises, doubt, and solitude. She breathes new life in these songs, reshapes and reharmonizes them, charging them ...

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Live Review

Lisa Sokolov at Enzo's Jazz Room

by Budd Kopman
May 3, 2007

Lisa SokolovEnzo's JazzThe Jolly Hotel MadisonNew York, NYApril 18, 2007 Lisa Sokolov is one of those performers who must be experienced. Yes, her 2004 CD Presence won Best CD of 2004 from Downbeat Magazine, but I had not heard it. Enzo Capua told me she was something special, and he was not kidding. The most important thing was that Sokolov gave a total, one hundred percent, no-holding-back performance in ...

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Album Review

Lisa Sokolov: Presence

Read "Presence" reviewed by Elliott Simon

by Elliott Simon
March 15, 2004

Musical genres become extraneous on Presence, as originals, standards, folk, and R&B are transformed, through diva Lisa Sokolov’s texturally thick tones and changing tempos, into emotionally powerful encounters. Set in the context of a piano trio, Sokolov uses her lyrical dynamism, vocal range and innovative command of rhythm and phrasing to expand the boundaries of this conventional format. The title piece is an original multitracked singing experience that sucks you in like a cyclone and then hurtles ...

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Album Review

Lisa Sokolov: Presence

Read "Presence" reviewed by Dr. Judith Schlesinger

by Dr. Judith Schlesinger
January 21, 2004

This is one of the times I'm grateful that this magazine doesn't have a rating system. I've never heard anything like this before (although Sokolov has two previous CDs out that were reportedly well-received), and I'm honestly not sure how I feel about it. I do know that “Presence" is terrifically innovative, with Sokolov exploring the myriad textures of her voice like a daring instrumentalist, and whether she's pure or raspy, shrill or rounded, whispery or full-throated, she's always passionate. ...