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Jazz Articles about Liam Noble

4
Album Review

Laura Jurd & Paul Dunmall: Fanfares & Freedom

Read "Fanfares & Freedom" reviewed by John Sharpe


Well this is an entertaining premise. Free jazz maven Paul Dunmall as featured soloist in a suite composed by up- and-coming trumpeter Laura Jurd. Actually, the reality is more complex. It might be more accurate to say that the unfettered spirits of Dunmall's quartet, with bassist Caius Williams, drummer Miles Levin and pianist Liam Noble, offer the contrast with Jurd's score for a brass quintet. The unlikely combination came about as a commission from the Cheltenham Jazz Festival by promoter ...

6
Album Review

Rob Cope: Gemini

Read "Gemini" reviewed by Neil Duggan


The number two features prominently in the concept behind this album. The album is called Gemini, meaning twins or two. It features two saxophones, it is Rob Cope's second album as leader and combines two existing duos. The first of those duos features the soprano saxophone and bass clarinet of Cope together with the tenor saxophone of Andy Scott UK. They combine their contemporary classical and improvisational styles in Scott's Group S (previously known as SaxAssault). Scott also ...

7
Album Review

Mark Lewandowski: A Bouquet (for Lady Day)

Read "A Bouquet (for Lady Day)" reviewed by Ian Patterson


A regular in the Mingus Big Band and Wynton Marsalis' quartet, New York-based Mark Lewandowski has won numerous awards for his sonorous double bass playing, which can be appreciated in settings as diverse as John Zorn's The Book of Beri'ah (Tzadik Records, 2018) and Joe Chamber's Dance Kobina (Blue Note Records, 2022). As a leader, Lewandowski previously released the joyous, highly personal Fats Waller homage Waller (Whirlwind Records, 2017) and, following his relocation from London to New York, the impressive, ...

3
Album Review

Julian Siegel Jazz Orchestra: Tales from the Jacquard

Read "Tales from the Jacquard" reviewed by Angelo Leonardi


L'eredità orchestrale britannica, rappresentata dagli eclettici lavori di Mike Gibbs, Mike Westbrook, Django Bates e Colin Towns, si rinnova in questo brillante debutto da bandleader di Julian Siegel. Nato a Nottingham 55 anni fa, Siegel è uno dei massimi sassofonisti del Regno Unito, leader di un quartetto e sideman in molte formazioni orchestrali: da quelle dei citati Bates, Gibbs e Towns ad altre dirette da John Taylor, Kenny Wheeler, John Dankworth e Stan Sulzmann. La ...

15
Album Review

Julian Siegel Jazz Orchestra: Tales from the Jacquard

Read "Tales from the Jacquard" reviewed by Chris May


Reed player Julian Siegel has been an important part of the London jazz scene since the late 1990s, when he cofounded Partisans, a high-energy quartet completed by guitarist Phil Robson, bassist Thad Kelly and drummer Gene Calderazzo. The band is pretty much beyond category, although it is usually billed as jazz-rock. Unlike normative jazz-rock outfits, however, Partisans is anchored firmly in the acoustic tradition, Robson's plugged-in guitar aside. Also contrary to the jazz-rock norm, Partisans, as its name suggests, has ...

5
Album Review

Will Glaser: Climbing In Circles

Read "Climbing In Circles" reviewed by Chris May


Women musicians seem more inclined to describe their albums as “playful" than their male counterparts. We need not spend time speculating on the reasons for that here. Playful, however, is the word that best sums up this delightful trio album by two generations of male musicians. Young bloods drummer Will Glaser and saxophonist Matthew Herd have been playing together since leaving London's Guildhall School of Music & Drama in 2014. Pianist Liam Noble has been lighting up the British scene ...

6
Album Review

Pigfoot: Pigfoot Shuffle

Read "Pigfoot Shuffle" reviewed by Ian Patterson


Once a taste for mischief is acquired it's hard to rein it in. Pigfoot was having way, way too much fun on 21st Century Acid Trad (Village Life Records, 2014) to go straight on this, its second outing. If the former happily warped New Orleans jazz, Pigfoot Shuffle applies a similar concept to a broader pool of music, with rock 'n' roll, opera, soul, classic rock and pop coming in for some lovingly irreverent, jazzified treatment. In other hands it ...


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