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Jazz Articles about Lester St. Louis
Aruán Ortiz: Pastor's Paradox
by Alberto Bazzurro
Eccellenti i brani solo strumentali, a tratti un po' verbosi, zavorrati (come accade spesso, del resto) quelli con l'aggiunta di Mtume Gant alla “dizione": si potrebbe sintetizzare così questo album del pianista cubano (ma da oltre vent'anni di stanza negli USA) Aruán Ortiz, ma sarebbe ovviamente eccessivamente semplicistico. Allora diciamo che anche gli episodi con voce aggiunta (tra i quali deve rientrare pure il conclusivo “No Justice, No Peace, Legacy!," dove lo slogan del titolo viene proferito ...
read moreAruán Ortiz: Pastor's Paradox
by Karl Ackermann
When clarinetist and saxophonist Don Byron and pianist Aruán Ortiz teamed up for the recording of Random Dances And (A)Tonalities (Intakt Records, 2018) they brought an unprecedented wealth of stylistic experiences to the studio. The result was an unconventional duo sound that blurred the distinctions between their collective comfort zones. Byron and Ortiz return on the gorgeous Pastor's Paradox, sounding joined at the hip and untethered, simultaneously. In this (mostly) quartet setting, Byron and Ortiz are joined by ...
read moreJaimie Branch: Fly Or Die Fly Or Die Fly Or Die ((World War))
by Chris May
As the malign forces of Amerikkka gather for their 2024 assault on truth, justice and democracy, an assault from which, if it is successful, there may be no peaceable reversal available four years down the line, the American jazz world should hang its head in shame. Denunciations of and opposition to the rise of domestic neo-fascism have been mostly confined to rock and hip hop. In jazz, with some noble exceptions, it has been business as usual. Now, in autumn ...
read moreIvo Perelman / Arun Ortiz / Lester St. Louis: Prophecy
by Mike Jurkovic
Movies run through our heads all the time and Prophecy, the latest excursion into the unruly unknown by tenor saxophonist and tireless creator Ivo Perelman and his two latest partners-in-crime, pianist Aruan Ortiz and cellist Lester St. Louis is just the soundtrack for them. Boisterous, disconcerting, consoling. Musically obtuse yet oddly accessible for the love scenes and elegies. Music restless for the reveal. Hypnotic themes for the terse encounters between lead characters or the silent parsing of the ...
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