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Jazz Articles about Kurt Rosenwinkel

1,008
Interview

Kurt Rosenwinkel: New Creative Roads

Read "Kurt Rosenwinkel: New Creative Roads" reviewed by R.J. DeLuke


Two and a half years may seem like a long time to work on one recording project, but not when there's singleness of purpose, a sense of real creation and a desire to get everything in the studio done just right. That's just what guitarist Kurt Rosenwinkel did for his third release on Verve, Heartcore .“The reason why I took so long to do it was that my goal was to be able to go to someone's house, ...

245
Album Review

Kurt Rosenwinkel: Heartcore

Read "Heartcore" reviewed by Eddie Becton


Guitarist Kurt Rosenwinkel serves vibrant, electric rhythms on Heartcore, bringing along a septet of talented musicians for the task.

Rosenwinkel gets to the heart of the matter on the title track with a fusion-laced beat. He plays around the tempo of a funky drum machine with a deep bass pattern. Mark Turner's saxophone blasts high notes that help carry the track. The conclusion winds up truly melodious and pensive. “All the Way to Rajasthan" begins with an echoing pluck of ...

455
Album Review

Kurt Rosenwinkel: Heartcore

Read "Heartcore" reviewed by Matt Merewitz


It took long enough, but guitarist Kurt Rosenwinkel has outdone himself on Heartcore, co-produced with hip-hopper Q-Tip. Fans of his seemingly ancient 2001 release The Next Step will love Heartcore for its continuity in the “Rosenwinkelian” vein of brashly inventive and original melodies and harmonies (enhanced by ambient noise and the simultaneous echo of his voice mirroring his fluid guitar lines). Very few tunes are in 4/4 time. Very few tunes sound like anything else he's done before. But they ...

416
Album Review

Matt Penman: The Unquiet

Read "The Unquiet" reviewed by Phil DiPietro


Either Matt Penman wrote his own bio or paid a comedian friend (who knows a thing or two about the jazz world) to write it for him. It contains the following gems that lend humorous light to the how and why he eventually grew up to be a beautifully introspective, reflective composer, to wit: “The introduction by an insistent school teacher of Jazz music into the mix was of course life-altering, as now there was a legitimate reason to not ...

346
Album Review

Kurt Rosenwinkel: The Next Step

Read "The Next Step" reviewed by C. Andrew Hovan


When you stop to think about it, there are relatively few guitarists on the current jazz scene working to go beyond the boundaries of a mainstream manifesto. Sure, you've got talented youngsters such as Russell Malone, Peter Bernstein, and many others functioning within the tradition. But even as endowed as these guys are, they have not chosen to see outside of the box in the same manner that Pat Metheny and Bill Frisell have. This is not to dismiss the ...

251
Album Review

Kurt Rosenwinkel: The Next Step

Read "The Next Step" reviewed by Glenn Astarita


Electric guitarist/composer Kurt Rosenwinkel extends his wares while attaining or perhaps advancing to loftier heights on his second release for “Verve” records, titled The Next Step. Here, the guitarist and long time band-mate, tenor saxophonist Mark Turner share the bulk of the soloing in conjunction with bassist Ben Street and drummer Jeff Ballard who provide the powerful yet often agile support throughout this classy outing.

Rosenwinkel artfully inaugurates the proceedings via his crisp, multihued tonalities, wordless vocals and altogether attractive ...

225
Album Review

Kurt Rosenwinkel: The Next Step

Read "The Next Step" reviewed by Glenn Astarita


Electric guitarist/composer Kurt Rosenwinkel extends his wares while attaining or perhaps advancing to loftier heights on his second release for “Verve” records, titled The Next Step. Here, the guitarist and long time band-mate, tenor saxophonist Mark Turner share the bulk of the soloing in conjunction with bassist Ben Street and drummer Jeff Ballard who provide the powerful yet often agile support throughout this classy outing.

Rosenwinkel artfully inaugurates the proceedings via his crisp, multihued tonalities, wordless vocals and altogether attractive ...


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