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Jazz Articles about Kevin Sun

4
Album Review

Kevin Sun: The Depth of Memory

Read "The Depth of Memory" reviewed by Dan McClenaghan


Saxophonist/composer Kevin Sun's 2 CD set, The Depths Of Memory, is said to be more suited to focused listening than to the “convivial distractions of a jazz club." That rings true. From CD 1's opener, “All This Stillness," subdivided into seven sections, the album finds the saxophonist and his bandmates sounding as if they have slipped into a flow. Sun says he wanted the feeling of “being swept along in a current of musical thought over a period of time." ...

4
Album Review

Kevin Sun: (Un)seaworthy

Read "(Un)seaworthy" reviewed by Jerome Wilson


Kevin Sun brings a fresh energy and and sense of adventure to the saxophone trio format on this CD. In the company of bassist Walter Stinson and drummer Matt Honor, he plays around with tone, rhythm and tempo, creating exciting music which blends the traditional and the experimental. Sun's sax tone on “Seaworthy (Unseaworthy)" is full and melodic, as he circles, stutters and flows eccentrically, constantly moving as Stinson and Honor maintain a steady groove. He barrels through ...

1
Album Review

Kevin Sun: The Sustain of Memory

Read "The Sustain of Memory" reviewed by Neri Pollastri


Il secondo album da leader del trentenne sassofonista e clarinettista newyorchese Kevin Sun è un'opera lunga, due CD, e complessa, articolata su tre suite diverse per organico e clima. La prima suite—"The Middle of Tension," in sei parti per un totale di trentasei minuti—vede di scena un classico quartetto, nel quale Sun è accompagnato dal pianoforte di Dana Saul, dal contrabbasso di Walter Stinton e dalla batteria di Matt Honor. Ed è il pianoforte, con la frammentarietà e ...

2
Album Review

Jacob Garchik: Clear Line

Read "Clear Line" reviewed by Dan Bilawsky


As strange as it may sound, sometimes the best way to break free is to simply box yourself in. Limitations obviously cut off certain possibilities entirely, but they open the mind to so many others in the process. Composer (and trombonist) Jacob Garchik has long subscribed to that line of thinking and he takes it to bold heights on this, the most original, least derivative big band recording to arrive in ages. Basically throwing out the rule ...

7
Album Review

Kevin Sun: (Un)seaworthy

Read "(Un)seaworthy" reviewed by Troy Dostert


Although he's a relative newcomer to the jazz world, having released his debut album, Trio (Endectomorph Music) in 2018, tenor saxophonist Kevin Sun is well on his way toward staking a major claim as a distinctive composer and soloist. After an excellent two-disc effort, The Sustain of Memory (Endectomorph) in 2019, he's now adding to his burgeoning discography with another trio album, (Un)seaworthy, featuring his regular associates, bassist Walter Stinson and drummer Matt Honor. With a formidable compositional apparatus but ...

7
Album Review

Kevin Sun: The Sustain of Memory

Read "The Sustain of Memory" reviewed by Dan McClenaghan


Ambition is good. Saxophonist Kevin Sun has it. He proves it by releasing--before attaining his thirtieth birthday--The Sustain of Memory, a cinematic two-disc set of atmospheric avant-garde music in trio, quartet and quintet settings, which maintains a start-to-finish focus of an expansive artistic vision. “I've always been drawn to sprawling, encyclopedic or maximalist works of art," Sun says. And he has produced an excellent and beautiful example of the genre. The music is divided into three “suites": the ...

1
Album Review

Kevin Sun: The Sustain of Memory

Read "The Sustain of Memory" reviewed by Jerome Wilson


This is an ambitious set of compositions by saxophonist Kevin Sun, 2 CDs which contain three suites for various-sized small groups, each with its own distinct identity. “The Middle Of Tensions" is in six sections played by a quartet of Sun, pianist Dana Saul, bassist Walter Stinson and drummer Matt Honor. Most of this work explores the contrasts between Sun's blasts of singing tenor and Saul's stumbling keyboard progressions, as the bass and drums keep a bumpy rhythm ...


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