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Jazz Articles about Kevin Axt


About Kevin Axt

3

Album Review

Tierney Sutton: Paris Sessions 2

Read "Paris Sessions 2" reviewed by Dan Bilawsky

by Dan Bilawsky

Back at the tail end of 2012, Tierney Sutton found herself in a studio in Epinay Sur Orge, France, working comfortably alongside guitarist Serge Merlaud and bassist Kevin Axt (on acoustic bass guitar). The music they captured, released two years later as the Paris Sessions (BFM, 2014), instantly stood out as the most intimate jewel in the celebrated vocalist's sparkling discography. So it's with joy and a touch of surprise that now, almost a decade after that studio stay defined ...

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7

Album Review

Tierney Sutton: Paris Sessions 2

Read "Paris Sessions 2" reviewed by Jim Worsley

by Jim Worsley

Time just scats on by when one is caught up in the wave of creativity that defines Tierney Sutton. How could it be that this enchanted vocalist is now presenting her fifteenth album? She left indelible footprints on her debut record, Introducing Tierney Sutton (A Records, 1997), breezing through as the leader of her caravan of wonder and possibilities. Sutton certainly has grown, as any artist would over time, but it was clear from the beginning that she knew who ...

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27

Album Review

Gordon Goodwin's Big Phat Band: The Reset

Read "The Reset" reviewed by Jack Bowers

by Jack Bowers

Gordon Goodwin's dynamic Big Phat Band rumbles back onto the scene with The Reset, a somewhat less-than-big-phat album whose dual purpose, according to Goodwin, is to express hope and gratitude in the wake of the Coronavirus pandemic and to honor one of Goodwin's mentors, the late Sammy Nestico. Goodwin calls the album an EP, whose twenty-eight minute playing time places it in roughly the same ballpark as a vinyl LP from the good old days before digital recording and streaming. ...

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2

Album Review

Staci Griesbach: My George Jones Songbook

Read "My George Jones Songbook" reviewed by William H. Snyder

by William H. Snyder

Some might question why write an All About Jazz review of an album featuring songs made popular by George Jones? Duke Ellington had the answer when he said, “There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed." Staci Griesbach and her colleagues have made good music ...

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6

Album Review

Doc Stewart Big Band Resuscitation: Code Blue!

Read "Code Blue!" reviewed by Jack Bowers

by Jack Bowers

"Doc" is much more than a nickname to Chris Stewart: it's a profession. And straight-ahead jazz is far more than a pastime: it's a passion. For the past sixteen years, Doc Stewart's day gig has been ER physician at the Mayo Clinic Hospital in Scottsdale, AZ. Long before that, however, Stewart was a working musician who played alto sax with a number of big bands including those led by Tom Kubis, Ladd McIntosh, Matt Catingub, Louie Bellson, Toshiko Akiyoshi / ...

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12

Album Review

Doc Stewart and Big Band Resuscitation: Code Blue!

Read "Code Blue!" reviewed by Edward Blanco

by Edward Blanco

Those who subscribe to the notion that big band music is a dying musical art form, are obviously unaware of Chris “Doc “ Stewart and his star-studded Resuscitation big band that have just given the genre a shot in the arm, a jolt of electricity and some life-saving musical medicine with the amazing Code Blue! An alto saxophonist by passion and pleasure, Stewart is actually an emergency room doctor with the Mayo Clinic in Scottsdale, AZ, practicing the trade for ...

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271

Album Review

Cheryl Bentyne: Let Me Off Uptown

Read "Let Me Off Uptown" reviewed by Greg Thomas

by Greg Thomas

Away from the multi-Grammy winning Manhattan Transfer, soprano Cheryl Bentyne has taken this opportunity to put together a fine tribute to the under-appreciated Anita O'Day. The caliber of musicianship is top-notch, with Bill Holman conducting the “Mighty Little Big Horns, a group of first-rate Los Angeles musicians, among them Pete Christlieb, a robust tenor saxophonist heard just briefly on the closer, the O'Day original “Waiter, Make Mine Blues. Trumpeter Jack Sheldon sits in on a few numbers, ...

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