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Jazz Articles about Kevin Axt
Gabe Katell: Hear, It Is
by Jack Bowers
After years of paying his dues by gigging around with groups large and small in southern California, baritone saxophonist Gabe Katell has recorded Hear, It Is, the first album with his name above the marquee, and an impressive one it is, both musically and strategically. To ensure its musical success, Katell enlisted the help of three top-notch side musicians--pianist Adam Hersh, bassist Kevin Axt, drummer Kevin Van Den Elzen--who together form a seamless unit that is communal and ...
Continue ReadingBob Schlesinger: Falling From Earth
by Joshua Weiner
Many a music project was derailed by the COVID-19 pandemic, but Colorado-based pianist, composer, and educator Bob Schlesinger's Falling From Earth (Self-Produced, 2025) has had a longer gestation and more interesting rebirth than most. With funding from the Pathways to Jazz fund, part of the Boulder County Arts Alliance, Schelsinger initially planned for his first release as a leader to be a trio album with legendary Bill Evans bassist Eddie Gomez and drummer Billy Drummond, whose expansive career with many ...
Continue ReadingLauren White: Making It Up As We Go Along
by Nicholas F. Mondello
With this, her fifth album, Los Angeles-based Renaissance lady, Lauren White offers eleven intriguing selections across a range of styles and sources, backed up by some of the city's best. While shrewdly avoiding the tried, true and over-recorded, White uses her subtle skills with taste and maturity. Interestingly, the album plays sequentially as if it were a performance. That is one of its attractions. Launching things, Steely Dan's “I'm Not the Same Without You" is a coy ...
Continue ReadingJeremy Cohen: Raymond Scott Reimagined
by Walter Atkins
Raymond Scott Reimagined is an engaging collaborative project with Quartet San Francisco, Gordon Goodwin's Big Phat Band and the Grammy winning acapella group Take 6 on two tracks. The album is a thoughtful and stylish interpretation of Raymond Scott's legacy. It is also interspersed with audio tidbits featuring Scott's singular musical approaches. The album kicks off with the enticing “Powerhouse," familiar to anyone who has watched a Warner Bros Looney Tunes cartoon. “Toy Trumpet" is a tasty composition ...
Continue ReadingGrant Geissman: Blooz
by Richard J Salvucci
There are several ways of judging the success of a recording. Perhaps a hearing makes the listener, if a musician, want to sit in and jam. That is a good sign. Then there is the “sit still test." For many, the direct, emotional and physical connection between music and brain leaves them simply hanging out, absence of motion impossible, sitting still not an option. Grant Geissman's Blooz happily passes both tests. Turn the volume up and a blues party comes ...
Continue ReadingTierney Sutton: Paris Sessions 2
by Dan Bilawsky
Back at the tail end of 2012, Tierney Sutton found herself in a studio in Epinay Sur Orge, France, working comfortably alongside guitarist Serge Merlaud and bassist Kevin Axt (on acoustic bass guitar). The music they captured, released two years later as the Paris Sessions (BFM, 2014), instantly stood out as the most intimate jewel in the celebrated vocalist's sparkling discography. So it's with joy and a touch of surprise that now, almost a decade after that studio stay defined ...
Continue ReadingTierney Sutton: Paris Sessions 2
by Jim Worsley
Time just scats on by when one is caught up in the wave of creativity that defines Tierney Sutton. How could it be that this enchanted vocalist is now presenting her fifteenth album? She left indelible footprints on her debut record, Introducing Tierney Sutton (A Records, 1997), breezing through as the leader of her caravan of wonder and possibilities. Sutton certainly has grown, as any artist would over time, but it was clear from the beginning that she knew who ...
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