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Anna Webber: simpletrio2000
by John Sharpe
Although the name of saxophonist and flautist Anna Webber's trio with pianist Matt Mitchell and drummer John Hollenbeck might suggest something easy to understand, there is nothing straightforward about their output. Notwithstanding the title, Simpletrio2000 constitutes the band's third release (or fourth if you include the first installment of the double discIdiom (Pi, 2021)), that arrives some ten years after the outfit's eponymous debut. Like much of Webber's work, the 11 cuts here are intricately plotted, even with only three ...
Continue ReadingJohn Hollenbeck, Michael Attias & Nordic Artists
by Maurice Hogue
This show has a bit of wanderlust. It starts and closes with music by artists from Scandinavia (an all-star band honouring the music and spirit of Albert Ayler, then at the end a new Norwegian/Swedish quartet called Unionen followed by Nacka Forum celebrating its 25th year and the closer by the Finnish trio Hot Heros). The late trumpeter Dennis Gonzalez loved to take his horn all over the world, and that's the plan for his two sons with their newly-formed ...
Continue ReadingAnna Webber: Idiom
by Stefano Merighi
Già da oltre un decennio, la complessità della canadese Anna Webber (sax tenore, flauto, composizione) ci interroga sulla possibilità di compenetrare nel jazz di oggi mente e corpo, attitudine concettuale e abbandono rituale. Non è la prima, ovviamente, a lambire questi territori impervi. Si situa, forse, in una geografia sonora che parte da Cecil Taylor e attraversa le gigantesche ombre di Anthony Braxton e Henry Threadgill. Ma, velocemente, sta atterrando in un pianeta sonoro totalmente proprio, come dimostra questo doppio ...
Continue ReadingAnna Webber: Idiom
by Hrayr Attarian
Award winning composer, saxophonist and flautist Anna Webber is a restless innovator and musical individualist. Her ninth release as a leader, the sublime and magnificent two-disc Idiom is an ambitious project which Webber pulls off brilliantly and with elegance. Five compositions from the “Idiom" series are represented here. Four are in a sparse trio setting while “Idiom VI," which fills the entire second disc, is with a large ensemble. Another one, “Idiom II," (not included here) appeared on Webber's Clockwise ...
Continue ReadingJohn Hollenbeck: Songs You Like a Lot
by Angelo Leonardi
Con questo disco John Hollenbeck conclude la trilogia iniziata otto anni fa sulla reinterpretazione di famosi brani della popular music (Songs I Like A Lot, Sunnyside 2013) e proseguita due anni dopo con Songs We Like a Lot per la stessa etichetta. Nel primo album la scelta dei temi era strettamente personale, nel secondo fu condivisa con alcuni partner (i cantanti Theo Bleckmann e Kate McGarry) ed ora nasce dalla selezione di proposte giunte all'arrangiatore dal suo ...
Continue ReadingAnna Webber: Idiom
by Mark Corroto
Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True (Greenleaf Music, 2020), Webber was commissioned to present Idiom VI at John Zorn's Stone series. She expanded the material from one track heard on ...
Continue ReadingJohn Hollenbeck: Songs You Like A Lot
by Dan Bilawsky
Every ending a beginning, each conclusion an act of creation. If multi-hyphenate John Hollenbeck's Songs You Like A Lot doesn't slot within that sentiment, nothing really does. This collection marks the completion of a lauded trilogy that's stretched out across the better part of a decade, but it also signals the start of something new--the Flexatonic Arts non-profit, which will serve as an umbrella for Hollenbeck's arts and education initiatives, and the record label it houses, acting as a home ...
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