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Jazz Articles about John Hébert

12
Album Review

John Hébert: Sounds Of Love

Read "Sounds Of Love" reviewed by Mark Corroto


In sport, they talk about 'horses for courses,' to describe a parcour suited for particular athletes. That same language can be used to decide an ensemble's lineup for a particular category of music. Bassist and bandleader John Hébert made careful choices to create the quintet to perform music in the spirit of Charles Mingus. In the early 1960s, Mingus toured with saxophonist Eric Dolphy, trumpeter Johnny Coles, pianist Jaki Byard, and drummer Dannie Richmond. For Hébert's touring ensemble from 2011 ...

1
Album Review

Russ Lossing: Metamorphism

Read "Metamorphism" reviewed by Neri Pollastri


Registrato nel luglio del 2017, questo lavoro a firma dell'allora cinquantasettenne Russ Lossing, pianista della scena newyorchese originario dell'Ohio, vede all'opera un quartetto classico nella formazione, ma in equilibrio tra mainstream e contemporaneità negli stilemi. Il leader, infatti, ha alle spalle trentacinque anni di collaborazioni con artisti di primissimo piano, da Kenny Wheeler a Tim Berne, tra le quali spicca quella, continuativa, con Paul Motian, alla musica del quale ha dedicato un lavoro per piano solo. Qui tale ...

2
Album Review

Simon Nabatov: Plain

Read "Plain" reviewed by Angelo Leonardi


Dopo aver riallacciato proficui rapporti con l'ambiente musicale di New York (e il precedente album per la Clean Feed, Last Minute Theory lo dimostra), il pianista Simon Nabatov coinvolge altri notevoli esponenti del jazz più innovativo, in equilibrio tra mainstream avanzato e post-free. Nomi d'alto rilievo come il sassofonista Chris Speed, il trombettista Herb Robertson, il bassista John Hébert e il batterista Tom Rainey. Il pianista d'origine russa -cittadino americano dal 1986 e da anni residente in Germania-chiarisce ...

1
Album Review

Mat Maneri: Dust

Read "Dust" reviewed by Neri Pollastri


Nuovo lavoro di Mat Maneri assieme a quello che pare ormai il suo compagno di viaggio prediletto, il pianista rumeno Lucian Ban. I due--che dopo il loro >Transylvanian Concert (ECM, 2013), hanno collaborato numerose volte--sono qui affiancati dall'eccellente contrabbassista John Hébert e dal batterista Randy Peterson, e si dividono anche la titolarità dei brani--cinque di Maneri, due di Ban, mentre i rimanenti due sono improvvisazioni totali. La cifra del lavoro non è poi così diversa dal lavoro in ...

6
Album Review

Simon Nabatov with Chris Speed, Herb Robertson, John Hébert, Tom Rainey: Plain

Read "Plain" reviewed by Mark Corroto


How fitting is the comparison between the music of Simon Nabatov and a Matryoshka doll? The Russian-born American's music is a nesting of not dolls but musical genres, placed one inside the other. Classically trained as a child, he can often be found in the free jazz wilds, moving easily between European and American brands of instant composing. He also has a passion for Brazilian music, chamber music, computer-interfaced sounds, and solo performance. Maybe the easiest introductions to his multi-faceted ...

6
Album Review

Andy Milne: The reMission

Read "The reMission" reviewed by Mike Jurkovic


Ever hear a disc and wonder why the deep-seated beauty of some players' music escapes your radar? Juno Award-winning pianist and composer Andy Milne's The reMission, a challenging, tough, terse and ultimately triumphant recording, is one of those. One of those discs that, after several uninterrupted listens, has one digging into the discography scrambling to catch up. A composer with an agile, far flung curiosity, Milne has held the bench for Ravi Coltrane and Ralph Alessi. He's teamed ...

37
Album Review

Mat Maneri Quartet: Dust

Read "Dust" reviewed by Glenn Astarita


The respective artists are firmly rooted in the modern vanguard of experimentation, improvisation and countless offshoots of the jazz vernacular. However, A-list bassist John Hebert is also a veteran of many modern/progressive jazz sessions but, as evidenced here, is also comfortable exploring the outside realm. Hence, the musicians dish out a rather somber and stoic chamber-jazz program amid fragile underpinnings and a slowly-paced gait with asymmetrical pulses and blossoming mini-themes. In addition, Mat Maneri's extended viola choruses assist with steering ...


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