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Jazz Articles about John Coltrane

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Jazz Near Me

Getting Closer to the Dream

Read "Getting Closer to the Dream" reviewed by Christopher Mote


[Editor's Note: All About Jazz, Hidden City Philadelphia, and the Preservation Alliance for Greater Philadelphia have collaborated to present a series of articles on the local jazz scene that John Coltrane inhabited, developed in, and ultimately transcended between 1943 and 1958, when he called the city home.] In some ways, John Coltrane's house is like any other in Strawberry Mansion. The three-story, Dutch-gabled row home where he lived from 1952 to 1958 was seen as ...

14
Jazz Near Me

John Coltrane: There Was No End To The Music

Read "John Coltrane: There Was No End To The Music" reviewed by Rob Armstrong


[Editor's Note: All About Jazz, Hidden City Philadelphia, and the Preservation Alliance for Greater Philadelphia have collaborated to present a series of articles on the local jazz scene that John Coltrane inhabited, developed in, and ultimately transcended between 1943 and 1958, when he called the city home.] When 18 year old John Coltrane moved to Philadelphia, in 1943 the nation's third largest city, he entered a fundamentally different world from his hometown of High Point, N.C. Like many ...

4
Jazz Poetry

The Business of 'Trane

Read "The Business of 'Trane" reviewed by Gordon Marshall


Carlos Santana turned me on to himin an article in Guitar Player magazineI read at the Hingham library,at 14: spiritual centerof his Baja brain,and mine now,for 35 years,in Boston, in the rainafter a storm...the storm--it lasted years,years when I couldn't listen to the fellow,so powerful his song,so powerful the memories of lossand pain, in ...

3
New York Beat

John Coltrane's Music Gets New Life at Lincoln Center

Read "John Coltrane's Music Gets New Life at Lincoln Center" reviewed by Nick Catalano


In jazz history, the often ignored contributions of the great arranger/orchestrators can never be overestimated. It was Jelly Roll Morton's orchestral writing that enabled “Black Bottom Stomp" to soar. In trumpeter Miles Davis' Sketches of Spain (Columbia, 1960), it was Gil Evans' pen that created the magic. At Town Hall, it was Hall Overton's arrangements that brought the audience into the soul of pianist Thelonious Monk. As the Jazz at Lincoln Center Orchestra once again took up ...

5
Jazz Near Me

John Coltrane: Always A Philadelphian

Read "John Coltrane: Always A Philadelphian" reviewed by Rob Armstrong


[Editor's Note: All About Jazz, Hidden City Philadelphia, and the Preservation Alliance for Greater Philadelphia have collaborated to present a series of articles on the local jazz scene that John Coltrane inhabited, developed in, and ultimately transcended between 1943 and 1958, when he called the city home.] One of Philadelphia's most interesting properties from a cultural standpoint--the former home of legendary saxophonist and composer John Coltrane--is also one of its most endangered. This year, the house located at ...

193
Reassessing

John Coltrane: Kulu Sé Mama

Read "John Coltrane: Kulu Sé Mama" reviewed by Chris May


John Coltrane Kulu Sé Mama Impulse!1967 It is rare to find Kulu Sé Mama on somebody's desert-island list of recordings by saxophonist John Coltrane. Why, is a mystery. Despite the brooding intensity of the cover photo, the performances are accessible and delightful, and, as an artifact, although it was recorded over three sessions in summer and fall 1965 in New Jersey and Los Angeles, with two lineups, the album hangs together ...

278
Album Review

Various Artists: First Impulse: The Creed Taylor Collection 50th Anniversary

Read "First Impulse: The Creed Taylor Collection 50th Anniversary" reviewed by Chris May


The headline news on this lavishly packaged, four-CD collection of the work of the Impulse! label's founding producer, Creed Taylor, is that it includes three previously unreleased tracks by John Coltrane. These were recorded during rehearsals for what would become the saxophonist's Impulse! debut, Africa/Brass, in 1961. They have a combined playing time of less than eight minutes, but as newly discovered Coltrane recordings are reduced to a trickle with the passage of time, the arrival of any such material, ...


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