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Jazz Articles about Joe McPhee


About Joe McPhee

175

Album Review

Joe McPhee: Soprano

Read "Soprano" reviewed by Lyn Horton


Sometimes, the best way to grasp of the power of an instrument is to hear it in a solo context without other instruments impacting its singularity. It matters if the musician playing the instrument is so engaged in knowing and feeling the instrument's range that the resulting sound emanates seemingly without effort. The music has originated with a master.

On September 10, 1998, Joe McPhee performed solo in St. Georges Chapel in Guelph, Canada at the Guelph Jazz Festival. He ...

287

Album Review

Joe McPhee / Peter Br: Guts

Read "Guts" reviewed by Lyn Horton


When people die for what they believe in, their actions speak louder than words. At least for a moment. Repeat performances of their deaths are impossible. So it is up to those who survive them to revitalize the symbolism of their deaths. Creative people do this well in the form of a tribute, for they are lending their lives to the realm where they have invested their own spirits already.

The quartet of reedmen Joe McPhee and Peter ...

286

Extended Analysis

Cato Salsa Experience & The Thing With Joe McPhee: Two Bands And A Legend

Read "Cato Salsa Experience & The Thing With Joe McPhee: Two Bands And A Legend" reviewed by Eyal Hareuveni


Two Bands And A Legend Cato Salsa Experience & The Thing With Joe McPhee Smalltown Superjazz 2007

“Are you cramped? Can you find your mind? Can you shake your ass?" asks Sonic Youth's guitarist Thurston Moore in his liner notes to Two Bands And A Legend. The album is the second collaboration (after Sound Like A Sandwich, Smalltown Superjazz, 2005) between Norwegian/Swedish power jazz trio The Thing, Norwegian psychedelic quartet Cato Salsa ...

1

Album Review

Joe McPhee Survival Unit III: Don't Postpone Joy!

Read "Don't Postpone Joy!" reviewed by AAJ Italy Staff


Poche storie. Joe McPhee è uno dei giganti dell'improvvisazione contemporanea e una delle menti più lucide che ci siano in circolazione. Vuoi per l'enorme quantità di esperienza accumulata (dal free politicizzato alla “new wave” di Chicago, passando per Pauline Oliveros e le sue teorie), vuoi per le incredibili potenzialità espressive insite nel suo strabiliante polistrumentismo (per trovare qualcuno in grado di destreggiarsi con tanta naturalezza alle ance e agli ottoni bisognerebbe risalire a Benny Carter), il musicista di Miami è ...

235

Multiple Reviews

Joe McPhee: Collaborator

Read "Joe McPhee: Collaborator" reviewed by Robert Iannapollo


From the beginning, multi-instrumentalist Joe McPhee has had a tendency to go against the grain and more often than not, has recorded in non-standard jazz group formations. It's clear that he must view this as one essential way of continually reinvigorating his art. Additionally, he has always seemed game for new and unexpected musical partnerships. These two releases feature McPhee in anomalous situations and both add slightly different wrinkles to his ever-expanding discography.

Joe McPhee/Paul Hession A Parallax ...

554

Profile

Joe McPhee And The (Trio) X Factor

Read "Joe McPhee And The (Trio) X Factor" reviewed by Robert Iannapollo


2007 marks the 40th anniversary of a major event in jazz, the passing of John Coltrane. It also marks another event that may escape most people, a birth of sorts: the recording debut of multi-instrumentalist Joe McPhee, as a sideman on Clifford Thornton's Freedom And Unity, recorded the day after Coltrane's funeral. Those 48 hours were a watershed period in McPhee's life.McPhee grew up in Poughkeepsie, NY. At 8, his father, who played trumpet on the side, called ...

1

Album Review

Joe McPhee & Survival Unit II with Clifford Thornton: N.Y.N.Y. 1971

Read "N.Y.N.Y. 1971" reviewed by AAJ Italy Staff


Furono proprio l'incontro con McPhee e l'ascolto dei nastri di questo concerto che nel 1974 convinsero Werner X. Uehlinger ad intraprendere l'attività di produttore discografico. Ed infatti la maggior parte degli LP pubblicati dalla Hat Hut negli anni Settanta erano tesi alla documentazione sistematica, quasi maniacale, della musica del polistrumentista americano. Quando nell'ottobre 1971 al WBAI's Free Music Store di New York fu registrata la performance riportata in questo CD (riedito dopo una prima apparizione in tiratura limitata nel 1996), ...


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