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Roxy Coss: Disparate Parts
by Mike Jurkovic
Let's just get thing one out into the open right away: Disparate Parts has plenty of balls to spare. Saxophonist Roxy Coss' acute, teasingly biting tone and rich, no boundaries disposition to composing and jamming has placed her high in the generational echelon of new and challenging players. She willingly and unapologetically blends and blurs the lines to suit any and all missives, and the fourteen fireballs heard loud and clear on Disparate Parts broach nothing less. Commandeering ...
Continue ReadingAlex Goodman: Impressions in Blue and Red
by Angelo Leonardi
Con questo splendido doppio album, Alex Goodman esce dal limbo dei talentosi chitarristi emergenti per entrare a pieno titolo tra i solisti e compositori più interessanti del jazz contemporaneo. Era proprio ora. All'età di 34 anni, con sette dischi da leader e prestigiosi premi internazionali (tra cui la vittoria al Montreux International Jazz Guitar del 2014), il chitarrista e compositore canadese ottiene i meritati riconoscimenti della critica con un'opera particolarmente matura. Un concept album che vuol associare ...
Continue ReadingSteven Feifke Big Band: Kinetic
by Jack Bowers
Jazz connoisseurs who lean toward big bands that swing as earnestly and often as the renowned architects of the epic big-band era should find plenty to cheer about on Kinetic, the debut recording by New York-based pianist, composer and arranger Steven Feifke's audacious and fiery ensemble. This is a band that fires on all cylinders—but it couldn't even leave the garage unless Feifke supplied the fuel. With one exception (noted below), Feifke's intense and high-powered charts neatly pave the way, ...
Continue ReadingSteven Feifke Big Band: Kinetic
by Angelo Leonardi
Assimilare la tradizione per poi creare cose originali. È questo il percorso che hanno seguito e continuano a seguire i musicisti jazz, in forme e approfondimenti diversi. A 30 anni esatti il pianista Steven Feifke è ancora al primo passo ma in questo scintillante debutto orchestrale dimostra di avere tutte le carte in regola per sviluppare percorsi originali. Kinetic è infatti un esempio del miglior modern mainstream orchestrale, elaborato sulle lezioni di Thad Jones e Mel Lewis, ...
Continue ReadingNir Felder: II
by Mike Jacobs
Six years after the release of his solo debut, Golden Age (Okeh, 2014), Nir Felder's follow-up II brings into sharper focus some of the guitarist's more compelling dichotomies as a player. His instrument of choice is the usually more crystalline-sounding Stratocaster but Felder somehow elicits a fatter-than-a-big-ol'-jazz-box tone from it. His style as a soloist has way more in common with Jim Hall than Jimi Hendrix but he more often favors flailing big ringing open-stringed or power ...
Continue ReadingAlex Wintz Trio: Live To Tape
by Dan McClenaghan
Back in the day (the 1960s), when guitarist Grant Green stepped into the studio to record for Blue Note Records, they rolled the tape. Literally. Pushed a button and the spools began to spin, the left circle feeding the right. On Live To Tape, that is how guitarist Alex Wintz rolls, too, taking his modern sound back to bygone recording mode, catching his sounds directly to tape. All that, of course, don't mean a thing if it ain't ...
Continue ReadingAlex Goodman: Impressions in Blue and Red
by Friedrich Kunzmann
One thing's for sure: there's a whole lot of music to be heard on Alex Goodman's new double album Impressions in Blue and Red. At 27 tracks and a running time of over 100 minutes, the Canadian jazz guitarist has taken a stand when it comes to quantity on his newest album. Any concern that the quality could suffer as a result is extinguished after the first few bars into the opener. Divided over two different sets according to the ...
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