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Jazz Articles about Jason Rigby


About Jason Rigby

6

Album Review

Duchess: A Marvelous Party

Read "A Marvelous Party" reviewed by Pierre Giroux


A great party is never just an event. It is a sequence of emotions, encounters, expectations, surprises, fleeting romances, moments of reflection, and, ultimately, gratitude. On A Marvelous Party, Duchess (Amy Cervini, Hilary Gardner, Melissa Stylianou) transforms that universal experience into an irresistible jazz journey. More than a collection of standards and popular songs, this is a carefully conceived concept album that traces the cycle of a memorable gathering from invitation to farewell. Throughout the program, arranger Oded ...

2

Radio & Podcasts

Dave Adewumi, Andrea Goretti-Sivan Arbel, Jason Rigby, Tom Oren

Read "Dave Adewumi, Andrea Goretti-Sivan Arbel, Jason Rigby, Tom Oren" reviewed by Cheryl K.


During this week's two-hour program of jazz and improvised music, trumpeters Dave Adewumi and Ingrid Jensen; guitarists John Pizzarelli, Matt Greenwood, and David Becker; vocalist Norma Winstone and bassist Dave Holland with The London Vocal Project; pianist Andrea Goretti and vocalist Sivan Arbel; saxophonist Jason Rigby; and pianist Tom Oren.Playlist Tony Bennett “I Do Not Know a Day I Did Not Love You" from Love Story (Columbia) 3:28 John Pizzarelli “It Amazes Me" from Dear Mr. Bennett (Green ...

34

Album Review

Mike Holober & The Gotham Jazz Orchestra: This Rock We're On: Imaginary Letters

Read "This Rock We're On: Imaginary Letters" reviewed by Jack Bowers


This Rock We're On, acclaimed composer and pianist Mike Holober's 2024 recording as leader of the Gotham Jazz Orchestra, is challenging to summarize in mere words, as it consists of a multi-part suite (on two CDs) which blends jazz, classical and art songs in a thematic environment that uses a series of “imaginary letters" from a half dozen writers, artists and activists. Holober's orchestral response to them is the premise for “a meditation on the beauty of nature and the ...

Album Review

Christopher Zuar Orchestra: Exuberance

Read "Exuberance" reviewed by Angelo Leonardi


È decisamente un periodo d'oro per l'orchestrazione jazz. Ai molti bandleader e arrangiatori emersi nel nuovo millennio, si aggiunge decisamente Christopher Zuar, che firma il secondo album confermando le doti espresse in Musings (Sunnyside), il debutto di otto anni fa. Con un diploma al New England Conservatory e un master alla Manhattan School of Music, Zuar aggiunge una spiccata fantasia nell'arricchire il modern mainstream orchestrale di nuove suggestioni. Questo progetto è stato concepito tra il 2017 e ...

31

Album Review

Christopher Zuar Orchestra: Exuberance

Read "Exuberance" reviewed by Jack Bowers


Composer/arranger Christopher Zuar's second album, Exuberance, recounts in musical terms a twisting yet picturesque journey that began seven years earlier, in 2017, when Zuar first met his now-wife, the animator Anne Beal, at MacDowell, the famed artists' residency in New Hampshire. While the relationship “blooms" in winter, there are “moments between" and other inescapable detours until “certainty" erases any lingering doubts, “exuberance" carries the day and Zuar and Beal are united as one. Yes, the music is ...

3

Album Review

Mike Holober & the Gotham City Orchestra: This Rock We're On: Imaginary Letters

Read "This Rock We're On: Imaginary Letters" reviewed by Angelo Leonardi


Dopo gli ultimi superlativi album orchestrali (Balancing Act, Palmetto 2015 e Hiding Out, Zoho 2019) la nuova incisione di Mike Holober con la Gotham Jazz Orchestra non dovrebbe stupirci, eppure questo doppio album ci ha nuovamente colpito. L'aggiunta di Chris Potter, John Patitucci, Nir Felder e della cantante brasiliana Jamile Staevie Ayres all'orchestra rende infatti il progetto quanto mai esaltante. Questi nomi completano un organico già nutrito di solisti ragguardevoli come Marvin Stamm e Scott Wendholt alle trombe, ...

26

Album Review

Jihye Lee Orchestra: Infinite Connections

Read "Infinite Connections" reviewed by Jack Bowers


Some eighty-odd years ago a handful of trailblazers led by saxophonist Charlie Parker and trumpeter Dizzy Gillespie changed the vocabulary of jazz, introducing bebop as a successor to trad jazz and swing and radically transforming the music's landscape and perspective. Their terminology remained pretty much intact for a number of years, with partisans choosing a path between the diverse genres, until at last the very definition of jazz began to move in new directions with newcomers such as cool jazz, ...


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