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Jazz Articles about Jack DeJohnette

1
Album Review

Miles Davis: Stockholm Live 1967 & 1969 Revisited

Read "Stockholm Live 1967 & 1969 Revisited" reviewed by Maurizio Comandini


Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al culmine della sua parabola artistica, con una musica raffinata e potente allo tesso tempo, tecnicamente complessa eppure resa con grande scioltezza, proprio grazie alla ...

12
Album Review

Ron Carter, Jack DeJohnette, Gonzalo Rubalcaba: Skyline

Read "Skyline" reviewed by Jim Worsley


Substantial yet serene, sophisticated yet soothing, Skyline oozes with the earthiness of New York City. Here, Ron Carter, Jack DeJohnette, and Gonzalo Rubalcaba merged their broad skills into an assemblage of erudite conversations, each package wrapped with beauty and delicate care. Of the many common threads heard in this collection, none could be more precious than time. Yes, of course, the trio had a wealth of rich pockets, but the reference is made to time of another nature. They were ...

Album Review

Ethan Iverson: Every Note Is True

Read "Every Note Is True" reviewed by Neri Pollastri


Oltre vent'anni dopo la cofondazione dei The Bad Plus e a quattro dalla sua fuoriuscita dalla fortunata formazione, Ethan Iverson ha approfittato della sosta imposta dalla pandemia per portare in studio due musicisti di assoluto spicco quali Larry Grenadier e Jack DeJohnette per registrare con un nuovo trio un album che andasse oltre quanto maturato nel lungo lavoro svolto con la sua precedente formazione. Ne è venuto fuori questo singolare Every Note Is True, primo disco del pianista per la ...

3
Album Review

Wadada Leo Smith: A Love Sonnet For Billie Holiday

Read "A Love Sonnet For Billie Holiday" reviewed by Mark Corroto


Trumpeter Wadada Leo Smith creates a new trio with Vijay Iyer and drummer Jack DeJohnette. While the pianist and drummer have never recorded together, like a Venn diagram, their orbits were destined to overlap. Both musicians have recorded duets with Smith and both were members of Smith's Golden Quartet, just not at the same time. This recording from 2016, by three master artists, was fated to occur. With each new release from Smith, we appoint it as his ...

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Album Review

Wadada Leo Smith, Vijay Iyer & Jack DeJohnette: A Love Sonnet For Billie Holiday

Read "A Love Sonnet For Billie Holiday" reviewed by Dan McClenaghan


Trumpeter Wadada Leo Smith reconvenes his Golden Quartet (sort of) for A Love Sonnet For Billie Holiday. It began back in 2000 with the group's eponymous Tzadik Records release, featuring pianist Anthony Davis, Malachi Favors Maghostut on bass and drummer Jack DeJohnette. More albums came about—The Year of the Elephant (Pi Recordings, 2002), Tabligh (Cuniform Records, 2008) and more. The cast of characters shuffled, and some of Smith's most beautiful and approachable music was made. This time around, ...

15
Album Review

Wadada Leo Smith's Great Lakes Quartet: The Chicago Symphonies

Read "The Chicago Symphonies" reviewed by Karl Ackermann


The prolific virtuoso Wadada Leo Smith gave us two TUM Records box sets in the first half of 2021 and will end the year with two more, including the very ambitious The Chicago Symphonies. The four-disc collection features the trumpeter/composer's Great Lakes Quartet with saxophonist/flutist Henry Threadgill, bassist John Lindberg and drummer Jack DeJohnette. The final disc trades Threadgill for saxophonist Jonathon Haffner. Smith, who composed each of the movements, took his inspiration from Don Cherry 's Symphony ...

27
Album Review

Bill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)

Read "Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)" reviewed by Chris May


Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...


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