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Album Review

Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: “Camera got them images / Camera got them all / Nothing's shocking... “ The second, often attributed to William S. Burroughs: “Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries dissolve and meaning becomes fluid. Hanes both affirms and challenges that premise in this sprawling, provocative work. Gargantua is written for an ...

Album Review

Simon Hanes: Gargantua

Read "Gargantua" reviewed by Vincenzo Roggero

by Vincenzo Roggero
May 25, 2026

Tre batterie, tre bassi elettrici, tre tromboni, tre corni francesi e tre voci, questo l'ensemble che mette in scena Gargantua, album proveniente dalla sempre più benemerita Pyroclastic Records. Inusuale, sorprendente, bizzarra strumentazione? Niente affatto, se in cabina di regia siede Simon Hanes, visionario artista, californiano di nascita ma residente a Brooklyn, che miscela le più disparate suggestioni musicali--siano esse polifonie rinascimentali, hard rock, noise, minimalismo, avant jazz, o colonne sonore italiane anni sessanta/settanta--con sorprendente nonchalance e altrettanto sorprendenti risultati.

Album Review

Nick Dunston: Colla Voce

Read "Colla Voce" reviewed by John Sharpe

by John Sharpe
October 30, 2024

One thing you can expect from a Nick Dunston leadership date is the unexpected. After Atlantic Extraction (OOYH, 2019), Spider Season (OOYH, 2022) and Skultura (Fun In Church, 2023), Colla Voce is something else again. Although an in-demand bassist in adventurous contemporary circles, as evidenced by stints with trumpeter Dave Douglas, guitarist Mary Halvorson and drummer Tyshawn Sorey, as a composer Dunston ranges even more widely. Assembled from sessions in Berlin and NYC, Dunston calls on a 13-strong ...

Album Review

Nick Dunston: Colla Voce

Read "Colla Voce" reviewed by Mark Corroto

by Mark Corroto
July 11, 2024

Composer and bassist Nick Dunston's Colla Voce -"with the voice" -is a chamber construction which he describes as an Afro-surrealist anti-opera that operates in the concept of an individual experience, as opposed to a collective one. By that he asks, “what if the blue that I see is not that same blue that you see?" His caveat is that each listener's experience may differ. Historical examples of this phenomenon are Igor Stravinsky's 1913 premiere of “The Rite of ...

Album Review

For Now: The Turning

Read "The Turning" reviewed by Bruce Lindsay

by Bruce Lindsay
July 20, 2019

For Now is a young Texas-based quintet—vocals, guitar, piano, bass, drums—led by singer and composer Isabel Crespo. The Turning is the band's second album, following 2018's self-produced Elsewhere and the first with new members Ben McDonald and Matt Young. As with the band's debut release, the sound is expanded by the addition of guest players, but this time instead of adding backing vocalists, For Now brings in more instrumentalists with a particular focus on wind instruments, which adds tonal variation ...