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Jazz Articles about Ingrid Jensen

8
Album Review

Roni Ben-Hur: Stories

Read "Stories" reviewed by John Chacona


Guitarist Roni Ben-Hur is an old soul. Uninterested in ostentation, the Israeli-born guitarist has been content to release a series of warm-hearted recordings that favor partnership over pomposity. Half his 12 leader dates have been duets or are co-credited. Stories isn't one of them, but it might as well be. This is an ensemble recording, patient and glowing with wisdom. Ben-Hur is helped by the elder masters he often chooses to bring gravity and wisdom to his dates. ...

10
Album Review

Johannes Wallmann: Elegy For An Undiscovered Species

Read "Elegy For An Undiscovered  Species" reviewed by Dan McClenaghan


Pianist Johannes Wallmann's Elegy For An Undiscovered Species opens with the eleven minute title tune, a musical protest against the Anthropocene Extinction. That extinction is happening right now. Human activity—human predominance of the planet—is its cause. This opener does have an apocalyptic feel, with a dark piano trio intro and a dark strings backdrop seeping into the mix, followed by tenor sax (Dayna Stephens) and trumpet (Ingrid Jensen) solos. Of Dayna Stephens' sound: if Paul Desmond's ...

1
Album Review

Ethan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century

Read "Bud Powell in the 21st Century" reviewed by Angelo Leonardi


Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha curato una celebrazione di Thelonious Monk alla Duke University e scritto la colonna sonora per Pepperland, l'opera sui Beatles del coreografo Mark Morris.

1
Radio & Podcasts

Ingrid Jensen in the Neighborhood

Read "Ingrid Jensen in the Neighborhood" reviewed by David Bixler


13
Album Review

Artemis: Artemis

Read "Artemis" reviewed by Mike Jurkovic


It's truly exhilarating yet sadly mundane and reductive that a recording as vital and victorious as Artemis will be universally hailed as a first from an all-female supergroup. That it cuts across all generational, cultural, international, and ethnic planes. That Blue Note Records has expanded its ever legendary ranks to include, well, you know, a female group. It's like the more we think we've gotten past these worn, tired types of qualifiers we realize all the more we really haven't. ...

13
Album Review

Monika Herzig: Sheroes

Read "Sheroes" reviewed by Jim Worsley


Composer and pianist Monika Herzig embarks on carefully scored passages against a bevy of broad sonic palettes on her 2018 release Sheroes. Herzig has long championed female empowerment in jazz, as well as other forms of music. For Sheroes she assembled an international cast featuring many of the finest musicians in the world. A total of nine musicians, including Herzig, brought their wealth of talent and band leading skills into the studio. The results are rewarding and sophisticated ...

4
Album Review

Monika Herzig: Sheroes

Read "Sheroes" reviewed by Hrayr Attarian


Pianist and composer Monika Herzig pays tribute to women in jazz, on her captivating Sheroes. The artistically superlative, all-female band explores various cadences, harmonies and moods on this exquisite album, all the while deftly maintaining thematic unity. Eight of the tracks are originals by ensemble members, and two are Herzig-arranged covers. These are the traditional “House of the Rising Sun" and singer-songwriter Valerie Simpson's (of Ashford/Simpson fame) classic “Ain't No Mountain High Enough." The latter opens ...


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