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Jazz Articles about Ingebrigt Håker Flaten

About Ingebrigt Håker Flaten

Album Review

Rodrigo Amado: Beyond The Margins

Read "Beyond The Margins" reviewed by Troy Dostert

by Troy Dostert
December 9, 2023

The aptly titled Beyond the Margins is just the latest entry in tenor saxophonist Rodrigo Amado's burgeoning catalog, and it is certainly further proof that Amado is among the most exciting and accomplished practitioners of free music in the jazz world. Each new release seems to allow him to hone his craft with ever-greater precision, and with an even wider range of emotional resonances. And with a line-up of free jazz veterans that includes pianist Alexander von Schlippenbach, bassist Ingebrigt ...

Album Review

Rodrigo Amado / The Bridge: Beyond The Margins

Read "Beyond The Margins" reviewed by Mark Corroto

by Mark Corroto
November 1, 2023

You might think saxophonist Rodrigo Amado's quartet The Bridge is an allusion to Sonny Rollins' performing and recording hiatus between 1959 and 1961. One spent practicing on the Williamsburg Bridge which links Manhattan and Brooklyn. Besides the name, Amado's previous release, Refraction Solo Live At Church Of The Holy Ghost (Trost, 2022), his first unaccompanied recording, draws inspiration from Rollins' sound and references some of the great man's music. More likely, Amado's bridge is the span linking the ...

Album Review

Gard Nilssen's Supersonic Orchestra: Family

by Mark Corroto
September 30, 2023

Why can't all music be supersonic? That does not mean supersonic as in a speed exceeding that of sound, but sound that is sonically superlative. Drummer, composer, and bandleader Gard Nilssen's music is seemingly always sonically superb. His 17-piece Supersonic Orchestra was captured in 2022 at the Mondriaan Jazz Festival in Den Haag, Netherlands, for Family, his follow-up to If You Listen Carefully The Music Is Yours (Odin 2020). The Supersonic Orchestra is made up of seven saxophones ...

Album Review

Rempis Percussion Quartet: Harvesters

Read "Harvesters" reviewed by Mark Corroto

by Mark Corroto
July 11, 2023

A couple quotes from the 1980s' film The Blues Brothers starring John Belushi and Dan Aykroyd seem appropriate for Harvesters, the double album by The Rempis Percussion Quartet. Elwood Blues: “It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark... and we're wearing sunglasses." Jake Blues: “Hit It...we're on a mission from God... we're getting the band back together." In all actuality, the Chicago residents, saxophonist Dave Rempis and ...

Album Review

Nick Mazzarella / Ingebrigt Håker Flaten / Avreeayl Ra: What You Seek Is Seeking You

Read "What You Seek Is Seeking You" reviewed by Mark Corroto

by Mark Corroto
January 25, 2022

In a trio format, listeners have come to expect alto saxophonist Nick Mazzarella to lead and write all the compositions. He introduced himself to the world with Aviary (Thought To Sound Records, 2010), and followed up with three more trio releases with bassist Anton Hatwich and drummer Frank Rosaly, four if we count Triangulum (Clean Feed, 2017) from his Meridian Trio (Jeremy Cunningham and Matt Ulery). These albums highlight Mazzarella's ability to compose, perform and, maybe of greater significance, organize ...

Album Review

Dave Rempis' Percussion Quartet: Sud Des Alpes

Read "Sud Des Alpes" reviewed by John Sharpe

by John Sharpe
December 17, 2021

Recorded live in Geneva during the group's 15th Anniversary tour, Sud Des Alpes is the tenth outing from Chicago-based saxophonist Dave Rempis' Percussion Quartet. The band is one of his longest established outlets, boasting a consistent membership, with the drum stools occupied by Tim Daisy and Frank Rosaly since the first album in 2005, and just one bassist prior to current incumbent Ingebrigt Håker Flaten. More to the point, they continue to find new avenues to explore within their preferred ...

Album Review

Gustafsson / McPhee / Håker Flaten / Nilssen-Love: The Thing She Knows...

Read "The Thing She Knows..." reviewed by Chris May

by Chris May
August 22, 2021

The Hat Hut and ezz-thetics family of labels is in 2021 just three years shy of its fiftieth anniversary. This is a remarkable, perhaps unique, achievement for an independent company which has concerned itself exclusively with the avant-garde end of jazz and conservatoire music from the get go, and has done so with the highest (for which read costly) production standards. Perhaps mindful of the coming anniversary, the labels' founder, Werner X. Uehlinger, has since 2019 been reissuing ...