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About Harvey Mason

5

Album Review

Chris Standring: Wonderful World

Read "Wonderful World" reviewed by Richard J Salvucci

by Richard J Salvucci

Many years ago, there was a radio station, WJBR, broadcasting from Wilmington, Delaware. The call sign stood for Just Beautiful Radio and that was precisely what you got. No-one called it easy listening or anything like that--it was the early 1960s--but listeners got a predictable dose of Percy Faith, Ray Conniff, Frank Chacksfield, nothing too challenging. The announcers had a predictable style as well—modulated, mellow, reassuring. In those days, with the possibility of nuclear war never far from anyone's mind, ...

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5

Album Review

Chris Standring: Wonderful World

Read "Wonderful World" reviewed by Pierre Giroux

by Pierre Giroux

Chris Standring is a Los Angeles-based contemporary jazz guitarist who was originally raised in Buckinghamshire, England. He has always had an itch to record an album of standards and that was scratched with the release of Wonderful World . Through the marvels of technology, Standring was able to record the trio tracks in several locations in California with some bold face names such as Peter Erskine, Chuck Berghofer and Randy Brecker, while the orchestral input was arranged and conducted by ...

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19

Album Review

Chris Standring: Wonderful World

Read "Wonderful World" reviewed by Jack Bowers

by Jack Bowers

Wonderful World, the fourteenth album as leader by British guitarist Chris Standring, was no doubt recorded with the best of intentions. And make no mistake, the music is warm and lovely, furnishing an opulent showcase for Standring's mellow guitar. Aside from that, however, there's not a whole lot to say. Standring's “orchestra" consists of a nineteen-member string section, while Geoff Gascoyne's syrupy arrangements call to mind popular string-laden sessions from the 1950s and '60s, “easy listening" albums for “late-night lovers" ...

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4

Album Review

Harvey Mason: Chameleon

Read "Chameleon" reviewed by Jeff Winbush

by Jeff Winbush

When you've been making music as long as Harvey Mason has as a solo artist and manning the drum chair for Herbie Hancock, George Benson, Donald Byrd,and more artists than there is space here to list, you are not only pleasing longtime fans, you're making new converts as well. Some who might ask, “This guy's pretty good. Wonder what else he's done?" Mason's answer is his first album in a decade, Chameleon and he both looks back at ...

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15

Extended Analysis

The Complete Arista Albums Collection

Read "The Complete Arista Albums Collection" reviewed by John Kelman

by John Kelman

When fusion first emerged in the late 1960s/early '70s with artists like trumpeter Miles Davis, pianist Chick Corea and guitarist John McLaughlin, the emphasis was on guitar and keyboard heavy lineups like Return to Forever and Mahavishnu Orchestra, with an equally strong predilection for the intensity and volume of rock and a kind of thundering funk that was different than the kind of music coming from R&B and soul artists like Stevie Wonder and Earth, Wind & Fire. Parallel to ...

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294

Album Review

Harvey Mason: With All My Heart

Read "With All My Heart" reviewed by Javier AQ Ortiz

by Javier AQ Ortiz

Harvey Mason's motto on With All My Heart seems to be “The one who plays drums in a jazz trio with the most bad-ass pianists and bassists wins. Arguably, that can be also stated of his entire career, as he has played and recorded with a mind-numbing amount of artists through various historical periods and musical styles. The lengthy and illustrious development of the quintessential small jazz group is definitely boosted by this recording.The premise of the production ...

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647

Extended Analysis

Harvey Mason: With All My Heart

Read "Harvey Mason: With All My Heart" reviewed by AAJ Staff

by AAJ Staff

Harvey Mason With All My Heart RCA 2004

Straight-ahead jazz fans and the more “purist" minded of jazz listeners among us have a tendency to write off the overall musical abilities of those who play contemporary or smooth jazz. This often boils down to little more than guilt by association, as one will make an assumption about the musical talent of someone who performs music they don't really respect. Just because of ...

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