Jazz Articles about Guillermo E. Brown

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Guillermo E. Brown: Freedom of Music

by AAJ Staff
February 9, 2021

From the 1995-2003 archive: This article first appeared at All About Jazz in April 2002. When it comes to music, Guillermo E. Brown is something of an omnivore. Whether it be calypso, out jazz, hip hop, or electronica, Brown is all ears. That makes the 25 year-old New Yorker something of an exception to the rule among the City's free jazz set. And, for what it's worth, it has defined his place in the music. But ...

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Thiefs: Thiefs

by AAJ Italy Staff
April 12, 2013

Dopo essere stato abbastanza presente nelle vicende concertistiche italiche di qualche anno fa [specialmente nel quartetto di David S. Ware e in alcuni progetti di Matthew Shipp], del batterista Guillermo E. Brown si erano un po' perse le tracce. Lo ritroviamo volentieri in questo trio con il bassista Keith Witty e il sassofonista francese Christophe Panzani, formazione favorita dal programma culturale French- American Jazz Exchange e che definisce la propria musica un “imbastardimento jazz grammaticalmente incoerente". Il linguaggio dei Thiefs ...

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Antipop Consortium: Antipop Vs. Matthew Shipp

by James Taylor
April 2, 2003

Is it hip-hop or is it jazz? A revolutionary new ideal or a sound versed in tradition? Antipop vs. Matthew Shipp is a radical union between New York City's finest avant-garde hip-hop trio and free jazz's most important young pianist--and it's better than anything those phonies from Philly have put out in a decade.Antipop , Shipp's second collaborative release in as many months, sees the pianist joined by what is becoming his regular rhythm section: William Parker, Guillermo ...

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Antipop Consortium: Antipop Vs. Matthew Shipp

by AAJ Staff
February 21, 2003

Vs. has a most interesting aim: a direct collision between hip-hoppers Antipop Consortium and free jazzer Matthew Shipp. We've seen beats applied to jazz records, various forms of studio manipulation, and the application of rhythmic vocals alongside improvisation. So what is new here? The straightforward collision, essentially. Sometimes it works, most of the time it doesn't. Its greatest strength is also its greatest weakness: raw accessibility.

A bit of background. Jazz listeners, who are more likely to appreciate ...

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Guillermo E. Brown: Soul At The Hands Of The Machine

by AAJ Staff
April 19, 2002

In every sense a collage, Guillermo E. Brown's debut as a leader spans an insane variety of genres and manages to stitch them together into a seamless whole. At the root, of course, is the beat. Brown's drumming rolls through funk, jazz, hip-hop, and Latin rhythms with ease, and the addition of electronic beats and textures thickens up the soup. Layer upon layer of sounds pile on top: voices, percussion, saxophones, bass, and piano. Soul builds upon the opportunities made ...