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Jazz Articles about Gonzalo Rubalcaba

47
Album Review

Gonzalo Rubalcaba: XXI Century

Read "XXI Century" reviewed by Mark Corroto


If Gonzalo Rubalcaba were a major league pitcher, he would be a seasoned veteran with the knowledge that to be effective he would have to be the master of multiple pitches. Gone are his rookie days when he could throw nothing but fastballs to get outs.Same for Gonzalo Rubalcaba, jazz pianist. Twenty-five years ago he wowed audiences with his powerful attack and blinding speed. As his sound has matured, he has begun communicating with more subtlety, throwing audiences ...

202
Album Review

Gonzalo Rubalcaba: Fe...Faith

Read "Fe...Faith" reviewed by Dan McClenaghan


Cuban-born/Miami-based pianist Gonzalo Rubalcaba boasts a discography of some 25 albums, including a dozen discs for the esteemed Blue Note label. Having established star status for himself with numerous Grammy nominations and two wins, Rubalcaba steps out with the first release on his independent 5Passion label, Fe...Faith.Over the course of his career, Rubalcaba has worked with some of the best modern jazz players, including Joe Lovano, Michael Brecker, Charlie Haden, Paul Motian, but introduces his new record company ...

342
Album Review

Gonzalo Rubalcaba: Fe' ... Faith

Read "Fe' ... Faith" reviewed by Karl Ackermann


It's been ten years since pianist Gonzalo Rubalcaba teamed up with Charlie Haden on Nocturne (Universal, 2001). Then a twenty-something Cuban virtuoso, Rubalcaba already had a decade of recordings behind him and was being compared to Keith Jarrett and Cecil Taylor. Now a Florida resident and with his own newly minted label, 5Passion, Rubalcaba releases Fé ... Faith, a solo collection and his finest work to date. Rubalcaba's playing style has typically been energetic and fiery and while ...

311
Album Review

Gonzalo Rubalcaba: Avatar

Read "Avatar" reviewed by Luis T. Martinez


Having matured and no longer needing to prove his chops to others or himself, pianist Gonzalo Rubalcaba has turned his attention to ensembling and orchestration, and in no other work is this more evident than Avatar. Only after multiple listens does it become clear how the compositions are driving the improvisations and not the other way around, and how the Cuban-born pianist/composer manages a wonderful balance between freedom, interpretation, and restraint, between composition, orchestration, and the soloing of his band ...

288
Album Review

Gonzalo Rubalcaba: Avatar

Read "Avatar" reviewed by J Hunter


Listening to Avatar--pianist Gonzalo Rubalcaba's first release since 2006--is kind of like eating unshelled lobster: It takes hard work and a will of iron to get to the meat. And while that meat may be succulent to some, the taste may not be for everybody.

The problem originates with the “shell" that surrounds most of the seven tunes on Avatar. Rubalcaba gets some terrific performances from his quintet, and does his usual stellar job at the piano. Unfortunately, there was ...

398
Album Review

Gonzalo Rubalcaba: Avatar

Read "Avatar" reviewed by Jay Deshpande


Although his sound is as blazing and inspiring as ever, Gonzalo Rubalcaba's new album may mark something of a departure. Recorded at the famed New York studio of the same name, Avatar provides listeners with a unique melting pot of songs and styles, while also implying new freedom and possibility for the renowned Cuban pianist. Only one of the seven tunes on this album is a Rubalcaba original, but the majority are written by his bandmates. The virtuosic turn that ...

360
Album Review

Ithamara Koorax: Brazilian Butterfly

Read "Brazilian Butterfly" reviewed by Chris M. Slawecki


Except for two ballads--the cosmopolitan “Carinhoso with her Brazilian jazz fusion compatriots Azymuth, and Herbie Hancock's title track--Ithamara Koorax's ninth album is her most adventurous release. It seems constructed to honor legendary Brazilian vocalist Flora Purim and her husband/bandleader/percussionist Airto. This Brazilian Butterfly soars and flutters while multiple percussionists (often as many as four on the same song, most often led by the late and legendary Dom Um Romão, with Koorax frequently flailing away among them) knit together, pull apart, ...


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