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Jazz Articles about Gerry Hemingway

289
Album Review

Gerry Hemingway: The Whimbler

Read "The Whimbler" reviewed by Mark Corroto


Gerry Hemingway's second release on Clean Feed changes a couple of musical partners, but it keeps that critical vibe alive. Hemingway retains tenor saxophonist Ellery Eskelin from Devil's Paradise (2003) but replaces bassist Mark Dresser with Mark Helias and swaps out Ray Anderson's trombone for Herb Robertson's trumpet.

This new quartet replaces original voices with, well, more original voices. The distinctive sounds of each musician make The Whimbler an animated session. Ellery Eskelin has developed a cult following ...

512
Album Review

Gerry Hemingway: The Whimbler

Read "The Whimbler" reviewed by Derek Taylor


Dream team assemblages are fairly regular occurrences in New York City-baseed improvisatory music. With so much talent operating in such a relatively small territory, the odds of a favorite players teaming up remain strongly favorable. Such alchemy is apparent in abundance on Gerry Hemingway's new project for Clean Feed, one that builds on the standing foundation of its predecessor, Devil's Paradise, with a few perspicacious personnel changes.

Titled with whimsy, The Whimbler convenes a quartet with credentials to ...

453
Profile

Gerry Hemingway: Following His Muse

Read "Gerry Hemingway: Following His Muse" reviewed by Kurt Gottschalk


Without naming names, it seems safe to say that its the rare drummer who can step up as a bandleader or composer, who can move out of the realm of percussion and work with a variety of instrumental voices. Looked at from another angle, it could be worthwhile to name names of drummers who go beyond pulse and time and develop a musical approach from behind the kit. And as long as we're at it, a list of drummers who've ...

325
Album Review

Gerry Hemingway: Devil's Paradise

Read "Devil's Paradise" reviewed by Celeste Sunderland


If music reflects life, the Gerry Hemingway Quartet’s first studio release, Devil’s Paradise, mirrors the zestful, zany part, where you run around all night with your best back-alley buddies, doing mischievous things and exchanging intimate stories. A collection of seven Hemingway originals, plus “Gentle Ben” by Mark Helias, the disc displays the talents of four exceptional musicians: Ellery Eskelin on tenor saxophone, Ray Anderson on trombone, Mark Dresser on bass, and Hemingway on drums. After ample time on the road ...


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