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Jazz Articles about Gebhard Ullmann


About Gebhard Ullmann

294

Multiple Reviews

Gebhard Ullmann: New Basement Research; Die Blaue Nixe & Leo Records 25th Anniversary: Loft, Koln

Read "Gebhard Ullmann: New Basement Research; Die Blaue Nixe & Leo Records 25th Anniversary: Loft, Koln" reviewed by Robert Iannapollo

by Robert Iannapollo

Reedman Gebhard Ullmann has always been a bit apart. Never an inside player yet rarely as extreme as some of his German contemporaries, he has doggedly pursued his own muse and released a stream of excellent discs since the '80s. Ullmann divides his time between Berlin and New York and has several groups based in each city, all of who seem to offer the saxophonist a wide range of options for his many-faceted improvising ideas.

Gebhard Ullmann New ...

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405

Multiple Reviews

Gebhard Ullmann At 50: A Career Retrospective

Read "Gebhard Ullmann At 50: A Career Retrospective" reviewed by Budd Kopman

by Budd Kopman

Gebhard Ullmann (born in Bad Godesberg, Germany, November 2, 1957) is a composer and improvisor unique in the jazz world today. Playing a multitude of reeds and flutes, and maintaining an international presence with both European and American groups, Ullmann has created a body of work that is much more than a chronological series of recordings documenting his musical thinking. Each of his various projects addresses different musical issues and hence has its own distinctive ...

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466

Album Review

Gebhard Ullmann: New Basement Research

Read "New Basement Research" reviewed by Budd Kopman

by Budd Kopman

The year 2007 marks multi-reedman Gebhard Ullmann's fiftieth birthday, and as part of the celebration, he has released New Basement Research, a blistering and brutally propulsive record with a completely new group, and the fourth for this project. The Basement Research project was started in 1995 with the pre-existing American trio comprised of saxophonist Ellery Eskelin, bassist Drew Gress and drummer Phil Haynes. Two recordings were made by this group, Basement Research (Soul Note, 1995) and Kreuzberg ...

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294

Album Review

Gebhard Ullmann: New Basement Research

Read "New Basement Research" reviewed by Troy Collins

by Troy Collins

A key presence on the European jazz scene with nearly forty albums to his credit, German multi-reedist Gebhard Ullman turns fifty this year. In celebration, Ullmann has reformed his critically acclaimed Basement Research ensemble with all new members. New Basement Research, their studio debut, is an effective summation of Ullmann's talents as an improviser and composer.

Initially formed in 1995, Basement Research featured the talents of tenor saxophonist Ellery Eskelin, bassist Drew Gress and drummer Phil Haynes. The ...

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215

Album Review

Gebhard Ullmann: Vancouver Concert - Ta Lam Zehn

Read "Vancouver Concert - Ta Lam Zehn" reviewed by Budd Kopman

by Budd Kopman

What a joy it is to listen to and be engulfed by Vancouver Concert - Ta Lam Zehn! Setting aside the music's roots in the stunning Ta Lam (99 Records, 1993) or the group's roots in Ta Lam Acht from Moritat (99 Records, 1994), this live recording's group energy, spark and good humor make it an outstanding achievement. This was a truly amazing performance by a group that is sharp as a tack, playing music that sweeps the audience away. ...

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243

Album Review

Gebhard Ullmann: Oct. 1, '98 - The Clarinet Trio

Read "Oct. 1, '98 - The Clarinet Trio" reviewed by Budd Kopman

by Budd Kopman

Saying that Oct. 1, '98 is Moritat (99 Records, 1994) meets Trad Corrosion (Nabel, 1997) would not be too far wrong. Nineteen miniatures are fit into fifty-four minutes like the latter album, but using only pure reed sounds like the former. Mixing pure improvisation, a truly wonderful version of “Tea for Two" and new and old compositions of bass clarinetist Gebhard Ullmann, this release has something for everyone. Clarinetist Jürgen Kupke is part of the Moritat Ta ...

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142

Album Review

Gebhard Ullmann: Trad Corrosion

Read "Trad Corrosion" reviewed by Budd Kopman

by Budd Kopman

With nineteen tracks taking up but forty-eight minutes, the tracks that make up Trad Corrosion place a premium on subtlety, conciseness and low volume. Together with bandmates drummer Phil Haynes, who first appeared with Ullmann on Basement Research (Soul Note,1995) and long-time collaborator guitartist Andreas Willers, multi-instrumentalist Gebhard Ullmann has created a work that looks both forward and backward. Since Ta Lam (99 Records, 1993), Ullmann had been concentrating on his own music, so playing Willers' compositions ...

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