Jazz Articles about Gary Peacock

About Gary Peacock

Album Review

Paul Bley Trios: Play Annette Peacock Revisited

Read "Play Annette Peacock Revisited" reviewed by Maurizio Comandini

by Maurizio Comandini
June 26, 2023

Questi bellissimi quattordici brani sono stati registrati nel 1966 (i primi otto) e nel 1968 (i restanti sei). Tutti sono stati scritti da Annette Peacock e registrati dal trio di Paul Bley, assieme a brani di altri compositori, per poi essere pubblicati nei mesi successivi alla registrazione stessa. Questo eccellente CD della Ezz-Thetics estrae e raggruppa in un unico album i brani scritti dalla compagna di Paul Bley con una iniziativa geniale che mette in grande evidenza la singolarità della ...

Album Review

Albert Ayler: Summertime To Spiritual Unity Revisited

Read "Summertime To Spiritual Unity Revisited" reviewed by Chris May

by Chris May
April 2, 2023

This landmark reissue contains consummately remastered cuts of the killer (among killers) track from Albert Ayler's relatively unknown My Name Is Albert Ayler (Debut 1964) plus the justly celebrated Spiritual Unity (ESP-Disk, 1965) in its entirety. Summertime To Spiritual Unity Revisited starts with “Summertime" from the 1964 album. In his survey The Jazz Standards (Oxford University Press, 2012), Ted Gioia writes that over 400 jazz covers of George and Ira Gershwin's song were recorded in the 1950s ...

Radio & Podcasts

Jerome Kern The Jazz Standard

by David Brown
January 31, 2023

This week we celebrate the 138th birthday of Jerome Kern. Born in 1885, Kern was an important composer of musical theatre and popular music in the early 20th century. Many of Kern's songs have been adapted by jazz musicians to become standard tunes. Featured interpreters of Kern's songs will include David S. Ware, Connie Crothers, Clifford Brown/Max Roach, Blossom Dearie, Morris Nanton, John Coltrane, Keith Jarrett and Anthony Braxton. We'll also check out some new releases as well as a ...

Album Review

Tony Williams: Life Time & Spring Revisited

Read "Life Time & Spring Revisited" reviewed by Maurizio Comandini

by Maurizio Comandini
May 16, 2022

Tony Williams è uno dei più importanti batteristi della storia. Non solo del jazz, ma della musica in generale. Solitamente questa considerazione, ampiamente condivisa, fa riferimento alla sua lunga esperienza come batterista dei quintetti di Miles Davis della seconda metà degli anni sessanta ed eventualmente al suo ruolo di leader del gruppo Tony Williams Lifetime nato nel 1969 e durato un paio d'anni. Due contesti di assoluta eccellenza che quindi giustificano il giudizio dal quale siamo partiti. Questa ottima ristampa ...

Album Review

Anthony Williams: Life Time & Spring Revisited

Read "Life Time & Spring Revisited" reviewed by Chris May

by Chris May
March 15, 2022

Drummer Tony Williams' first two albums as leader, recorded for Blue Note in 1964 and 1965--Life Time when he was only eighteen years old, Spring when he was nineteen--still sound delightfully fresh all these years after their original release. At the time he made them, Williams was a rising star with Miles Davis' second and third quintets, the first a short-lived unit with saxophonist George Coleman, the second a longer lasting one with Wayne Shorter. One of ...

Album Review

Albert Ayler: New York Eye and Ear Control Revisited

Read "New York Eye and Ear Control Revisited" reviewed by Mark Corroto

by Mark Corroto
August 10, 2021

The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As explained in the liner notes, he “wanted to buy a half hour of music." Also invited to the session were trumpeter & cornetist Don ...

Album Review

Albert Ayler: New York Eye And Ear Control Revisited

Read "New York Eye And Ear Control Revisited" reviewed by Chris May

by Chris May
July 30, 2021

The development of so-called free jazz in New York during the first half of the 1960s was topped and tailed by three landmark recordings: Ornette Coleman's Free Jazz (Atlantic, 1961), John Coltrane's Ascension (Impulse, 1966) and Albert Ayler's New York Eye And Ear Control (ESP, 1966). Of the three discs, only New York Eye And Ear Control broke away completely from jazz's normative structure of theme/solos/theme. Commissioned as an art-film soundtrack, Ayler's recording was also the product of an altogether ...