Jazz Articles about Francois Bourassa

Francois Bourassa: L'Impact du Silence

by Dan McClenaghan
May 8, 2021

Solo piano outings often serve as a baring of the artist's soul. Montreal-based pianist Francois Bourassa does just that on his tenth album, L'impact du Silence. Influenced by the piano artistry of Chick Corea, Brad Mehldau and Bill Evans, Bourassa has concentrated on small ensemble work—trios and quartets—on his previous recordings. Bringing his classical music influences into play, he transforms the blank canvas of silence into a work of introspection, notes chosen with a solemn deliberation which allows the open ...

Francois Bourassa: Quid Pro Piano

by Robert J. Lewis
October 15, 2010

François Bourassa 2010 Festival International de Jazz de MontréalChapelle historique du Bon-PasteurMontreal, CanadaJune 30, 2010 When pianist/composer François Bourassa performed in the mid-1980s at the Montreal International Jazz Festival, the sound he produced registered like a doubled-up fist of angry, aggressive music that, stylistically, recalled attack dog pugilist Roberto Duran, when he was at his bellicose best. And then, a chance encounter in 2008, with an up-and-coming local club singer, demonstrated ...

Francois Bourassa Quartet: Indefinite Time

by Mark F. Turner
January 16, 2005

The Francois Bourassa Quartet is not content to just play jazz straight; and thankfully for the listener, that's a good thing, as they present some forward-looking and contemplative music. The core members have performed together for over twenty years, and the ensemble is one of Canada's premier jazz groups, having thrilled audiences and impressed critics at events such as the Montreal International Jazz Festival. Led by pianist Francois Bourassa, the ensemble is rounded out by bassist Guy Boisvert, drummer Greg ...

Francois Bourassa Trio + Andre Leroux: Live

by AAJ Staff
November 1, 2001

Let me preface any commentary about this record by first saying this; it's hard. Hard as nails. Excuse the reviewer for indulgence in hype but I will venture to say this is one of the most intense jazz records these ears have heard in some time. It's that hot.

It all starts with the opening track “30 Octobre 85". If that sounds like the date a revolution went off, that's all well and good because there is definitely a minor ...