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About Eve Cornelious
Eve Cornelious: Eve Again... Naturally
by Acacia Grace
After nearly a decade since her 2017 live recording, Eve Cornelious returns to the studio with Again... Naturally, an album that embraces the timeless traditions of straight-ahead jazz while showcasing the confidence and poise of a seasoned interpreter. Rather than chasing contemporary trends, Cornelious delivers an album rooted in classic jazz values--thoughtful storytelling, elegant phrasing, and a deep respect for lyrical interpretation. The album opens with Big City," a grand and inviting introduction that immediately establishes the sophisticated character of ...
Continue ReadingRichard Baratta, Emmet Cohen, Paul Hecht, Eve Cornelious and more
by Benjamin Boddie
Today's Music--Right Now! Fantastic music by Richard Baratta, Emmet Cohen, Paul Hecht, Eve Cornelious, Chuck Bergeron, John Pachnos, Jan Harbeck Quartet, The Sistering, Faye Carol, Virginia MacDonald, Rich Willey, Tumbao Bravo With Paul Vornhagan, Barry Greene, Marcus Goldhaber, Lakecia Benjamin, JabFung, Hendrik Meurkens, Audrey Ochoa, David Janeway, Klaus Wienerroither, Jacques Lesure, John Sweenie, Ted Chubb, Dawn Clement, Bobby Broom, Will Lyle, Ulysses Owens Jr., Carlos Henriquez, Dave Schumacher & Cubeye, Andrew Moorhead, Sharon Minemoto, Malcolm Strachan, Judith Owens, Tierney Sutton ...
Continue ReadingEve Cornelious and The Chip Crawford Trio: I Feel Like Some Jazz Today
by C. Michael Bailey
All In The Family. Eve Cornelious and husband Chip Crawford assembled a collection of standards and originals for jazz voice and trio. Eve is the voice and Chip heads the trio. The assembly includes a “My Funny Valentine” based on Miles’ trumpet line from his famous 1950s recording of the tune, a “Flamenco Sketches” with committee-composed lyrics, and an “I Love Paris/April in Paris” diptych, who’s clever arrangement trades between the two songs, verse by verse. Eve Cornelious is the ...
Continue ReadingEve Cornelious & the Chip Crawford Trio: I Feel Like Some Jazz Today
by Joel Roberts
After listening to scores of albums by new jazz artists, I've come to the conclusion that there are more bad singers out there than bad anything else -- pianists, trumpeters, etc. Singing jazz with any kind of authority is just plain hard. A decent voice is not enough -- and far from the most important aspect of jazz singing. Intangibles like presence, style, originality, and the all-important ability to hold your own with a swingin' band trump pure technique any ...
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