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Jazz Articles about Eric Revis
Doug Wamble: Blues in the Present Tense
by Vic Albani
I testi cantati del “Blues al presente" di Doug Wamble parlano degli americani “turlupinati" dal cinismo del signor Donald Trump: «Non leggere i loro giornali / Non guardare le loro news / Non cominciare a pensare, baby», canta Wamble in “Blues in the Present Tense," mettendosi proprio nei panni del discusso personaggio mettendo in qualche modo in guardia i connazionali in relazione alle prossime presidenziali. Trattandosi di una realtà quale quella statunitense, l'uso del blues quale “strumento di trasmissione," sembrerebbe ...
read moreMichelle Lordi: Two Moons
by Geno Thackara
The art of the jazz diva does not shy away from the dark and mysterious. From putting a spell on somebody to helplessly falling under that old black magic, the tradition always seems to include some small touch of witchery, and Michelle Lordi, for her part, does not let a modern-day sound obscure those roots. The mood of Two Moons sits somewhere between a late-night set in a small jazz club and a round of spooky stories around the campfire. ...
read moreKurt Rosenwinkel: Undercover: Live At The Village Vanguard
by Chris May
Kurt Rosenwinkel records in a variety of situations, either from inclination or to keep himself and his audience fresh or both. In 2022 alone, he released three unusually diverse albums: Plays Piano, a solo outing on which he plays piano only; The Chopin Project, a co-led disc with pianist Jean-Paul Brodbeck exploring the work of Frederic Chopin; and Berlin Baritone, another solo album, this time playing a baritone guitar. Undercover: Live At The Village Vanguard is back ...
read moreJeff Parker / Eric Revis / Nasheet Waits: Eastside Romp
by John Sharpe
Though best known as an experimental guitarist in the likes of Tortoise, Isotope 217 and the Chicago Underground Trio, on Eastside Romp Jeff Parker hews closer to his jazz roots in a co-operative trio completed by bassist Eric Revis and drummer Nasheet Waits. Each a leader, Parker's bandmates possess similarly expansive resumés, making their somewhat introspective group focus here a surprise. On a program of five originals from across the band, one cover and one improv, they combine in the ...
read moreThomas Marriott: Live From the Heat Dome
by Paul Rauch
A “heat dome" is created when an area of high pressure hovers over an area for days or weeks, trapping warm air underneath. The meteorological phenomena is much like a lid on a boiling pot. In late June of 2021, residents of the Pacific Northwest became plainly aware of what a heat dome is by experiencing three days of severe heat topping 108 degrees, in an area more accustomed to temperatures in the low to mid seventies. The three days ...
read moreAvram Fefer Quartet: Juba Lee
by Mark Corroto
Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener “Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically acclaimed previous release Testament (Clean Feed, 2019). Fefer built this sound first in trio with bassist Eric Revis, and drummer Chad Taylor heard the ...
read moreThomas Marriott: Live From the Heat Dome
by Dan McClenaghan
Trumpeter Thomas Marriott settled into his groove on the Seattle-based Origin Records. He released more than a dozen discs under his own name there, including the gorgeous Romance Language (2020), a striking ballad set, and Trumpet Ship (2018), a high-energy bop workout. And then there was Crazy: The Music of Willie Nelson (Origin Records, 2008), described as having “a distinctly modern and often brash tone." And “Favoring some serious musical adventurousness." With Live From The Heat Dome that ...
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