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132

Album Review

Eric Alexander: Man With A Horn

by Douglas Payne
August 1, 1999

Think of the stunning array of tenor greats buoyed at one time or another by pianist Cedar Walton: John Coltrane, Dexter Gordon, Gene Ammons, Clifford Jordan, Wayne Shorter, Hank Mobley, Joe Henderson, Lucky Thompson, Junior Cook, George Coleman and Stanley Turrentine to name only a few. And these associations take into account neither the considerable number of classics Walton has introduced to the jazz songbook nor the pianist's simply magical prowess on his instrument - like a fine wine, aged ...

143

Album Review

Eric Alexander: Man With A Horn

by Glenn Astarita
July 1, 1999

A best seller in Japan in 1997, Man With A Horn has recently been released Stateside by the folks at Milestone records. Thirty-year-old tenor saxophonist Eric Alexander shows quite a bit of verve and panache on this release. Alexander’s funk-swing based “Unsung Hero” glowingly demonstrates his sure-fired, well-pronounced phrasing and cleverly stated lyricism through his huge yet commanding tone. Here, Alexander’s shows uncanny maturity for such a young musician with a keen sense of dynamics and a rapid sense of ...

141

Album Review

Eric Alexander: Mode For Mabes

by Jim Santella
October 1, 1998

Tenor saxophonist Eric Alexander, who turns 30 this year, has worked with Pat Martino, Freddy Cole, Mel Rhyne, Charles Earland, Peter Bernstein, Joe Magnarelli, Mark Elf, John Swana, Cecil Payne, and his teacher at William Paterson College, pianist Harold Mabern. Alexander’s ninth recording as a leader features a Chicago rhythm section of Mabern, bassist John Webber, drummer George Fludas, and hornmen Jim Rotondi on trumpet & Steve Davis on trombone. The modern mainstream sextet reveals the talents of a ‘90s ...

145

Album Review

Alexander/Hicks/Mraz/Muhammad: Solid!

by Douglas Payne
October 1, 1998

Solid! is an aptly-titled tribute to Prestige Records, one year shy of its 50th anniversary. The music focuses squarely on the loose, swinging bebop the label made famous in the mid to late 1950s, when big names like Sonny Rollins, Jackie McLean, Miles Davis, Thelonius Monk and John Coltrane “headlined" sessions.Most of the nine tracks are well-known parts of Prestige's heritage, and benefit by the tight-knit communication of the rhythm section, known elsewhere as the ...