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Jazz Articles about Elliot Humberto Kavee


About Elliot Humberto Kavee

Album Review

Henry Threadgill: Cut You Where You Was

Read "Cut You Where You Was" reviewed by Giuseppe Segala

by Giuseppe Segala

Affrancarsi e focalizzare. Liberare e stabilire relazioni. Nella pratica musicale, Henry Threadgill lo fa a proprio modo, tenendo preziosa la sua maturazione libertaria ed estremamente ricca di stimoli all'interno della AACM. Cercando e inventando un proprio linguaggio, nello stile di quella speciale aggregazione. Una propria mappa di orientamento musicale, stilistico, esplorativo, da cui scaturiscono opere ricchissime di spunti, di elasticità e ispirazione. Leggerezza danzante e profondità delle idee si fondono, dialogano, si stimolano a vicenda. Creano più punti di vista, ...

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11

Album Review

Henry Threadgill Zooid: Cut You Where You Was

Read "Cut You Where You Was" reviewed by Dan McClenaghan

by Dan McClenaghan

In 2001, Seth Rosner resurrected reed man Henry Threadgill's career by establishing Pi Recordings, initially for the sole purpose of releasing Threadgill recordings. Threadgill wanted to put out two albums simultaneously. Rosner said he would have agreed to four if that was what the artist requested. But two it was: Up Popped Two Lips by Henry Threadgill's Zooid and Everybody's Mouth's a Book, by Henry Threadgill & Make A Move. This was a move of genius on Rosner's part. Since ...

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254

Extended Analysis

First Dance

Read "First Dance" reviewed by Bill Siegel

by Bill Siegel

What do a Mescalero Apache electric bassist, a Michoacan-Mexican percussionist, a Chicano guitarist, a Nicaraguan-Jewish drummer, and French-Iranian, Argentine and Chinese-American saxophonists have in common with John Coltrane and Jim Pepper?The answer comes in the form of John-Carlos Perea's First Dance. Perea--who plays fretted and unfretted electric bass--produced the CD and composed all but one of its cuts. First Dance is a testament to, and a statement of, Perea's identity as a modern urban Indian and his love ...

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