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Dave Slonaker: Convergency
by Richard J Salvucci
In December 1910, Virginia Woolf once observed, human character changed and, along with it, so did everything else. Politics, society, religion, sex, all of it, she thought, would leave the ancien regime behind. And, to a point, she was correct. Within a few years, the old world was gone, swept away by war and revolution. It was not coming back. Ever. Somehow, listening to the marvelous musical products of modern big bands, Woolf seems oddly relevant. The level ...
Continue ReadingDave Slonaker Big Band: Convergency
by Jack Bowers
While big-band albums generally differ, sometimes widely, in tone and temperament, there are definitive criteria by which every one may be evaluated--arrangements, performers, sound quality, sequencing and, above all, the elusive but imperative swing quotient. Dave Slonaker checks all those boxes and more on Convergency, a superlative successor to his excellent Grammy-nominated debut album, Intrada, released in 2013. To begin with, Slonaker, best known as a film and television composer, is an excellent big-band writer and arranger, ...
Continue ReadingDave Slonaker Big Band: Convergency
by Troy Dostert
Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned Grammy nomination, and his sophomore effort is no less accomplished, with the well-designed compositions and outstanding ensemble work that justify all the attention it ...
Continue ReadingCathy Segal-Garcia: Social Anthems, Volume 1
by Troy Dostert
Proving there is still some life in the spirit of '60s activism—and even in the decades beyond it—vocalist Cathy Segal-Garcia gives us six tracks which meld jazz, folk and pop idioms in a way which sounds both classic and contemporary. Drawing on the talents of a fine band and a couple of intriguing guest vocalists, Segal-Garcia delivers these tunes with confidence and a winsome disposition. Aside from the self-penned “What Are We Gonna Do," a zesty folk-based tune, ...
Continue ReadingThe Lorca Hart Trio: Colors Of Jazz
by Edward Blanco
West Coast drummer Lorca Hart presents a collection of vibrant traditional jazz on the exciting Colors of Jazz, from the Lorca Hart Trio augmented by saxophonist Ralph Moore. Offering a mix of original compositions with four cover tunes, the canvas of nine sparkling pieces paints a portrait that's far more than pleasing to the ear, it's quite compelling. Originally from Taos, New Mexico and son of jazz great and drummer Billy Hart, Hart is an in-demand player and educator at ...
Continue ReadingCathy Segal-Garcia: The Jazz Chamber
by Jerome Wilson
On this album, Cathy Segal-Garcia, a vocalist and educator on the Los Angeles jazz scene, comes up with something special, working with a chamber orchestra and a group of jazz musicians to produce a wide-ranging program that veers from lush romanticism to complex jazz-funk. On much of the disc, Segal-Garcia's thick, classically formal voice, combined with a full string section, presents a lilting hybrid of jazz and light classical music. On first hearing it sounds a bit too ...
Continue ReadingDave Slonaker Big Band: Intrada
by Jack Bowers
Don't be put off by the name. Intrada, composer / arranger Dave Slonaker points out, is “a musical form often composed as a prelude, overture or fanfare," one whose upbeat phrases give rise to an exhilarating curtain-raiser on Slonaker's initial big-band recording. Rest assured this is a world-class ensemble and there's no doubt whose steady hand is at the helm: Slonaker wrote every number save the standard “It's Only a Paper Moon" and arranged the complete package. ...
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