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Jazz Articles about Donny McCaslin

148
Album Review

Donny McCaslin: The Way Through

Read "The Way Through" reviewed by Mark Corroto


Why should you listen to new jazz recordings? There will never be another Charlie Parker, John Coltrane, or Charles Mingus. Nor will there be another Jaco Pastorius, Thomas Chapin, or Tom Cora.

We listen because each new generation produces a voice that resonates somewhere deep within our souls. And discovery of that voice is one of the most cherished experiences of listening.

Saxophonist Donny McCaslin has one of those resonating voices. He has become, as ...

770
Profile

Donny McCaslin: Feeling the Spirit

Read "Donny McCaslin: Feeling the Spirit" reviewed by Bruce Crowther


When I play, I try to remember what this music means to me as a listener. When I hear something that really speaks to me on an emotional level -- like, say, a solo by Lester Young -- that is when I know what this is all about.

The speaker is Donny McCaslin, who was born on August 11, 1966, in Santa Clara, California. Although his parents, Don and Jeanina, were divorced when he was a small child, ...

281
Album Review

Donny McCaslin: Seen From Above

Read "Seen From Above" reviewed by Glenn Astarita


When tenor saxophonist Donny McCaslin hits his stride, he can hold his own with the best of them. On his first recording for the “Arabesque Recordings” label, titled Seen From Above, and second as a leader, the saxophonist incorporates some of the hard nosed voicings and complex time signatures also exhibited in the fine band, “Lan Xang”. - An outfit, that features the blazing dual sax attack of McCaslin and saxophonist David Binney.

Along with drummer Jim Black, bassist Scott ...

169
Album Review

David Binney: Free To Dream

Read "Free To Dream" reviewed by John W. Patterson


Binney is known to many as the sax genius of Lost Tribe and his skill is no less evident herein — in Binney's chosen dreamworld, a musical vibe, a flow, where he is free. Running his own record label, going the freshly popular independent route, affords total control and thus creativity and style unbounded by the prickly hedges of commercialism's maze.Believe me, this spirit works well to my ears. Binney's eleven compositions echo a fuller, matured Lost Tribe ...

171
Album Review

Donny McCaslin: Exile and Discovery

Read "Exile and Discovery" reviewed by Glenn Astarita


1998 was a busy yet productive year for this young and gifted tenor saxophonist who hails from California. Donny McCaslin collaborated with sax dynamo David Binney on several projects for Binney’s Mythology record label which included Binney’s and Edward Simon’s fine solo recordings and the McCaslin-Binney turbo charged outing “Lan Xang”. McCaslin attended Boston’s Berklee School of Music and has performed with Gary Burton, The Mingus Big Band, Steps Ahead and other notables of the jazz world. On “Exile and ...

292
Album Review

David Binney: Free To Dream

Read "Free To Dream" reviewed by Glenn Astarita


New York City “Downtown Scene" alto saxophonist David Binney has produced a winner here. Binney has gained some much-deserved recognition due to his dazzling virtuosity with artists such as Drew Gress, Edward Simon and the beloved hard-edged jazz-fusion band, Lost Tribe. Free To Dream is Binney's first solo effort on his newly formed Mythology Records label. Here, Binney is supported by a mini-brass section, exotic percussion, muscular rhythms and long time associate Edward Simon on the piano. Free To Dream ...

235
Album Review

Donny McCaslin: Exile and Discovery

Read "Exile and Discovery" reviewed by C. Michael Bailey


East/West Coast Jazz. Donny McCaslin is a Santa Cruz-born, Berklee-trained tenor saxophonist who has played with Gary Burton, Eddie Gomez, and Maria Schneider. He performed at this past year's Monterey Jazz Festival and is now debuting as a date leader on Exile and Discovery. Naxos Jazz has burned an excellent CD of McCaslin and his merry rhythm section.

Down the Middle. McCaslin's first effort as a leader is very much a mainstream effort. This recording contains standards (Golson's “Along Came ...


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