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The Headhunters: The Stunt Man
by Doug Collette
With the half-century anniversaries of Herbie Hancock's work with the Headhunters having passed in roughly the last year--Head Hunters (Columbia, 1973) and Thrust (Columbia, 1974)--it is appropriate the current configuration of the group has continued regular activity. In fact, under the fitting tutelage of drummer Mike Clark and percussionist Bill Summers, the band has issued two albums of new material in this span of time. Speakers in the House (Ropeadope, 2022) is an album of dashing panache and ...
Continue ReadingEddie Henderson: Witness To History
by Mike Jurkovic
Make no mistake: it is the hot buttered soul, “Shaft"-like theme of “Scorpio Rising" that first snags one's attention. But once snagged, the old cool sets in and Witness To History, trumpeter Eddie Henderson's self curated soundtrack, unwinds with a wicked fervor. A deep, wicked joy. Henderson--who has pretty much seen it all from the impulsive, jazz rock Realization (Capricorn, 1973) through The Cookers to the still palpable Shuffle and Deal (Smoke Avenue, 2020)--looks back for a PBS ...
Continue ReadingEddie Henderson: Witness To History
by Dave Linn
Dr. Eddie Henderson, 82 years old at the time of writing in 2023, has one of the most interesting stories in modern jazz and is a true Renaissance man. His parents were entertainers; his mother was a dancer at the original Cotton Club while his father was a member of the popular singing group Billy Williams and the Charioteers. Later, his stepfather was a doctor to Miles Davis, John Coltrane and Duke Ellington. When he was nine years old, his ...
Continue ReadingDino Betti van der Noot: Here Comes Springtime
by AAJ Staff
There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ultimate scores reflect a range of individual personalities, each of them telling their own stories as well as that of the composer.
Continue ReadingThe Headhunters: Speakers In The House
by Doug Collette
Herbie Hancock's Headhunters (Columbia, 1973) remains one of the seminal works of the jazz fusion era. The group's heavy emphasis on rhythm not only separated it from its guitar-oriented peers of the era, the Mahavishnu Orchestra and the middle-period Return to Forever, but also from Weather Report: grooves became increasingly more prominent as that band evolved, but never to the depth of Hancock and company's all-encompassing funk. That solid foundation is more than enough distinction for the first ...
Continue ReadingThe Headhunters: Speakers In The House
by Chris May
Although it appears to have been self-released in limited numbers in 2019, this Ropeadope release of Speakers In The House is effectively the Headhunters's first album since Platinum (Owl) in 2011. The band continues to be led and produced by its two Herbie Hancock-era members, percussionist Bill Summers and drummer Mike Clark, who together have kept the outfit intermittently active since Hancock moved on to other things in the mid 1970s. Summers played on the band's debut, ...
Continue ReadingClifford Lamb: Blues & Hues New Orleans
by Kyle Simpler
There are quite a few cities in the world that have an important musical legacy, and in many cases, the city's musical history might be one of the first things people associate with it. Take New Orleans. Commonly known as the birthplace of jazz, it's hard to imagine New Orleans without conjuring up brass bands, jazz clubs and juke joints. San Francisco-based pianist Clifford Lamb explores New Orleans' musical and cultural aspects with Blues & Hues New Orleans by offering ...
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