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Jazz Articles about Dizzy Gillespie


About Dizzy Gillespie

1

Jazz Fiction

Adventures In Jazz In Wales and Beyond In The 1960s

Read "Adventures In Jazz In Wales and Beyond In The 1960s" reviewed by Mike Raggett

by Mike Raggett

School Days “So are you coming tonight, Barry?" Phil Adams asked his colleague. “No, I think I'm going to give tonight a miss. It's so cold out there and I can't face the walk back here after the gig again. I doubt we'll get a lift tonight." “Well, I can't miss it. My namesake Phil Seamen is on drums for the visit of Art Themen." “Oh, he's the doctor guy, isn't he?"

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16

Album Review

Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach: Hot House: The Complete Jazz at Massey Hall Recordings

Read "Hot House: The Complete Jazz at Massey Hall Recordings" reviewed by Richard J Salvucci

by Richard J Salvucci

This is the stuff of legend, one for the ages. It all started here; the greatest jazz concert of all time. How many times has the Massey Hall Concert (Toronto, 1953) been described that way? For the average All About Jazz reader, Massey Hall happened before he or she was born. Besides, there were other famous jazz concerts such as The Carnival of Swing (Randall's Island, NY, 1938), Benny Goodman's 1938 Carnegie Hall Concert (that remained unreleased until 1958), Gene ...

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3

Radio & Podcasts

Gillespie in the Fifties

Read "Gillespie in the Fifties" reviewed by Patrick Burnette

by Patrick Burnette

Most jazz fans know Dizzy Gillespie's crucial role in the creation of bebop and every good collection should have at least a few tracks from his glory days of the forties. The man wrote “Night in Tunisia" for heaven's sake! But what happened later on, after his partner Bird was gone and the listening public had moved on from ooh-bop-sh-bam madness? In this episode we look at five recordings from the following decade and ponder why a genius-level player like ...

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8

Album Review

Dizzy Gillespie & Charlie Parker: Live Revisited

Read "Live Revisited" reviewed by Chris May

by Chris May

The first six tracks on this album, which were recorded at New York City's Town Hall on June 22, 1945, are amongst the most exciting in the jazz compendium. Not only because of their intrinsic artistic merit but also because they mark one of the first, if not the first, occasion the vanguard of the bop revolution emerged from the basements of 52nd Street, equipped with a fully formed manifestation of the new music, on to a stage bigger than ...

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1

Radio & Podcasts

Hot vs. Cool: A Battle of Jazz + New Releases

Read "Hot vs. Cool: A Battle of Jazz + New Releases" reviewed by David Brown

by David Brown

A battle of bands this week, as we spin Leonard Feather's 1952 recording Hot vs. Cool: A Battle of Jazz. This double 7" EP featuring a bop group led by Dizzy Gillespie and a trad jazz band led by Jimmy McPartland facing off on the stage of Birdland. Then, new releases from Eve Risser, Marta Warelis, Eri Yamamoto, Panorama Jazz Band, Camille Bertault, Tim Bern/Matt Mitchell and more. Plus, a set of love songs with Sun Ra, Anita O'Day and ...

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6

Album Review

Charlie Parker: Be Bop Live

Read "Be Bop Live" reviewed by Mark Corroto

by Mark Corroto

The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...

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Album Review

Charlie Parker Quintets: Be Bop Live

Read "Be Bop Live" reviewed by Stefano Merighi

by Stefano Merighi

Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...

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