Jazz Articles about Dean Brown

About Dean Brown

Album Review

Guerriglieri del groove, combattenti del new funky, estremisti della fusion: questo CD - compilation è un bignami delle nuove tendenze. Ma non solo. Uno dopo l’altro, in una sfilata di talenti straordinari (Soulive, Groove Warriors, Medeski, Martin & Wood, tra gli altri), gli artisti chiamati a “raccolta” mostrano quanto la lezione di padri e “padrini” del funk sia ancora molto attuale e piena di possibilità stilistiche in divenire. Avi Bortnick (già chitarra Überjam Band di John Scofield) sguazza tra blob ...

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Album Review

Bill Evans: Touch

Read "Touch" reviewed by Paula Edelstein

by Paula Edelstein
June 1, 1999

Touch, produced by veteran saxophonist-composer Bill Evans for his debut on Zebra Records is one of compositional integrity that continues to explore the melodic themes of his previous release, Starfish & The Moon. His 11th as a leader, Touch exemplifies the personality and depth of Bill Evans’ musicianship on tunes ranging from smooth to straight ahead, charged with soaring soprano and robust tenor solos. The serenely lyrical “In Your Heart” imprints his smooth sax deep within the soul, ...

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Album Review

Bill Evans: Touch

by Ed Kopp
June 1, 1999

Whenever I hear a soprano saxophone played over a pre-programmed beat my attention inevitably wavers, even if the music it is somewhat challenging. I call this condition the Kenny G Syndrome.While listening to Touch I really had to fight through the Kenny G Syndrome on a couple of tracks, but in time I warmed up to most of these 11 tunes.To be fair, Bill Evans is no Kenny G. He's a veteran solo artist with a ...

211

Album Review

David Sanborn: Inside

by Ian Nicolson
May 1, 1999

Since the days when he left his hometown St Louis to play for the Butterfield Blues Band during the sixties Blues boom in California, Sanborn has worked hard at staying top dog among the LA studio sessioneers - and succeeded.He has also commuted effortlessly between sophisticated Jazzpop solo albums stressing his distinctive alto tone and R'n'B roots, and the occasional full-ahead Jazz outing - like 1990's Another Hand, or Upfront a year or two later. This time he's ...