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Jazz Articles about David Gibson

6
Album Review

David Gibson: Boom!

Read "Boom!" reviewed by Dan Bilawsky


Trombonist David Gibson's Boom!--his sixth leader date, and third release on the Posi-Tone imprint--is something of a fresh start. His two previous releases--A Little Somethin' (Posi-Tone, 2009) and End Of The Tunnel (Posi-Tone, 2011)--were cut from the same cloth, as each largely focused on funk, soul jazz, and swing; both albums also featured the same quartet--Gibson on trombone, Julius Tolentino on alto saxophone, labelmate Jared Gold on organ, and Quincy Davis on drums. Now, Gibson returns with a new group--a ...

254
Take Five With...

Take Five With David Gibson

Read "Take Five With David Gibson" reviewed by AAJ Staff


Meet David Gibson: Trombonist David Gibson has enjoyed a varied musical career which is deeply rooted in the genres of jazz and funk. While reared in Oklahoma, Gibson's musical journey steered him to New York City. Jazz luminary Curtis Fuller said about Gibson, “Out of all the young players I hear in the music today, David is one of very few who speaks the language of jazz." David's newest recording, End of the Tunnel, is ...

137
Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Bruce Lindsay


Words like “funky" and “groovy" are often bandied about by musicians, reviewers and fans alike. Once upon a time they represented the heights of popular musical achievement; today, they're a little anachronistic, their use more ironic than laudatory. Then something comes along that epitomizes both terms, and reclaims them as badges of honor. Trombonist David Gibson's End Of The Tunnel is such a recording, a quartet album of music that reminds the jazz world just how great funky and groovy ...

108
Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Dan Bilawsky


David Gibson's A Little Somethin' (Posi-Tone, 2009) had a lot to offer, the trombonist garnering attention for its vibrant swing, soul and funk-laced jazz, but it wasn't a one-man show. He had some help from a stellar support crew, and the same musicians that assisted in fleshing out his vision there return for another go-round on End Of The Tunnel. While saxophonist Julius Tolentino proves to be a simpatico frontline companion on this outing, Gibson's main foil ...

101
Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Mark Corroto


The second release for trombonist David Gibson's quartet, End Of The Tunnel, is a return to the ever popular soul-jazz genre. As with his previous disc, A Little Somethin' (Posi-Tone, 2009), Gibson and organist Jared Gold share a love for that infectious 1960s organ combo sound. This disc also continues with the same lineup, and why not keep going? The music just feels so good; a sound that began in African-American churches but was ultimately incorporated into night ...

376
Album Review

David Gibson: A Little Somethin'

Read "A Little Somethin'" reviewed by Dan Bilawsky


Trombonist David Gibson arrived in New York in 1999 and wasted no time making his presence felt. Work with the Dizzy Gillespie Alumni Big Band, Slide Hampton, the Hot Pants Funk Sextet and a string of leader dates for Nagel-Heyer Records helped to cement his reputation in the New York jazz community and beyond. A Little Somethin' is Gibson's recording debut for Posi-Tone Records and features his working band, with the unique instrumentation of trombone, alto saxophone, organ and drums. ...

431
Album Review

David Gibson: A Little Somethin'

Read "A Little Somethin'" reviewed by Edward Blanco


With his fourth album as leader, New York-based trombonist David Gibson shows why he has become such a vital player and musical force, providing A Little Somethin' to think about. This Thelonious Monk Award-winning trombonist also brings his skills as a composer and arranger to bear, delivering five creative originals among the nine-piece repertoire that features a wealth of musical styles, ranging from straight-ahead and funky to modern and a taste of classical.

Gibson shares the front line with alto ...


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