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6

Live Review

Dave Holland’s Prism at Copenhagen Jazzhouse

Read "Dave Holland’s Prism at Copenhagen Jazzhouse" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Dave Holland's Prism Copenhagen Jazzhouse Copenhagen, Denmark July 10, 2014 In jazz, forming a new group gives the possibility of finding a new musical expression, but it can also be a way of returning to one's musical roots. In the case of bassist Dave Holland's group Prism, it is actually both of these things. The group has brought Holland back in touch with the electrifying fusion that he created with trumpeter Miles Davis on ...

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14

Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Ian Patterson

by Ian Patterson

It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve Miller Band in March 1970. The initiative to stage Davis at the hallowed rock venue came from CBS President Clive Davis, no doubt with ...

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10

Extended Analysis

Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Doug Collette

by Doug Collette

Intensely intoxicating as much as it is wholly hypnotic, Miles Davis Live at the Fillmore becomes increasingly so through the course of its four compact discs. More than doubling the playing time of the original four-sided vinyl release, The Bootleg Series Vol. 3 posits an argument the band(s) of this era were among the finest ever led by the man with the horn. If that sounds hyperbolic, it's difficult not to rhapsodize about this archive series in general ...

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3

Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Maurizio Comandini

by Maurizio Comandini

Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato da pochi mesi e il gruppo era in forma straordinaria, a cominciare dal leader. In realtà, questi concerti erano stati immediatamente ...

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27

Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by John Kelman

by John Kelman

By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, ...

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15

Extended Analysis

Miles Davis: In a Silent Way

Read "Miles Davis: In a Silent Way" reviewed by Nenad Georgievski

by Nenad Georgievski

"Miles' audience isn't where it used to be but neither is his music" was used to market the new releases of Miles Davis' indefatigably changing music in the late 60's that caused seismic shifts in the world of jazz and completely had redirected it into new and fresh territories. In a career that stretched five decades Miles Davis did more than just become a star--this enigmatic 20th century icon fused an astonishing array of different musical styles, refused to be ...

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7

Extended Analysis

Dave Holland: Prism

Read "Dave Holland: Prism" reviewed by John Kelman

by John Kelman

Two instruments that bassist Dave Holland has rarely incorporated into his projects have been piano and guitar, his only guitar-centric album coming sixteen years after his first release as a leader, Conference of the Birds (ECM, 1973), when he recruited Kevin Eubanks for a particularly powerful set on Extensions (ECM, 1989). It took Holland even longer--nearly a quarter- century, in fact--before piano first surfaced on Pass It On (Dare2, 2008), with the recently deceased Mulgrew Miller, though Holland would subsequently ...

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