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Album Review

Andrew Rathbun: Atwood Suites

Read "Atwood Suites" reviewed by Angelo Leonardi


Sassofonista e orchestratore canadese, Andrew Rathbun ha 47 anni e una ricca carriera alle spalle, svolta negli Stati Uniti con studi al New England Conservatory sotto la guida di Ran Blake e dal 1997 professionalmente a New York in vari contesti. A partire dal debutto del 1999 con Scatter Some Stones, ha inciso alcuni dischi da leader, il più noto dei quali è Sculpture (Fresh Sound 2002) inciso in quintetto col suo mentore Kenny Wheeler. Con quest'ultimo Rathbun ha collaborato ...

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Album Review

Andrew Rathbun Large Ensemble: Atwood Suites

Read "Atwood Suites" reviewed by Jerome Wilson


Andrew Rathbun is a Canadian saxophonist who has made a major musical statement here with this collection of suites, two of which are based on the poetry of author Margaret Atwood. Rathbun's writing shows the influence of another Canadian, Kenny Wheeler, in its lush sonority, the frequent gorgeous flugelhorn solos by Tim Hagans and the role of Luciana Souza, who both sings Atwood's poetry with gentle forcefulness and moans wordlessly within the orchestral ensembles, the same way Wheeler often utilized ...

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Album Review

Andrew Rathbun: Atwood Suites

Read "Atwood Suites" reviewed by Paul Rauch


The mingling of jazz music and poetry is not a new concept. It has always been an amiable, yet at times, uncomfortable fit. From a verse standpoint, it is in many ways liberating. While most vocalized lyrics and spoken word forms rely on rhyme to speak to cadence and rhythm, free verse poetry liberates the narrative from the confinements of structure, and much like an improvising instrumentalist, takes spoken language into a intertwining duality with the melody within harmonic dimension. ...

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Album Review

Andrew Rathbun: Atwood Suites

Read "Atwood Suites" reviewed by Friedrich Kunzmann


In a way, the Atwood Suites have been in the works for almost two decades. When Kenny Wheeler approached Toronto native Andrew Rathbun in search for a band in 2001, the former furthermore inquired if the latter would like a composition of his own penning to be performed beside Wheeler's “Suite Time Suite." Consequently, the “Power Politics Suite," which makes for the second half of the first CD, was born, with Wheeler's and vocalist Luciana Souza's sound specifically in mind. ...

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Album Review

Andrew Rathbun Large Ensemble: Atwood Suites

Read "Atwood Suites" reviewed by Dan Bilawsky


The marriage between jazz and poetry is having a true moment in the present artistic sphere. The two have long mixed and mingled, oft proving sympathetic and symbiotic in their multidirectional moves, unique cadences, and improvisational capacities. But never before has the connection been so strong and centralized. With drummer Matt Wilson's triumphant encounter with the work of Carl Sandburg, soprano saxophonist Jane Ira Bloom's exploration of Emily Dickinson's writing, saxophonist Benjamin Boone's collaboration with Philip Levine, and a handful ...

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Album Review

David Ambrosio: Gone

Read "Gone" reviewed by Dan Bilawsky


In many ways, bassist David Ambrosio can track his adult life and his musical relationships by his back-and-forth moves between Manhattan and Brooklyn. Ambrosio has called each borough home on more than one occasion over the past few decades, observing the key differences between each scene from the inside. He doesn't discriminate when it comes to choosing a New York City spot to put his bass down and play, and he happily shares his talent(s) wherever he can, but it's ...

Album Review

Dead Cat Bounce: Chance Episodes

Read "Chance Episodes" reviewed by AAJ Italy Staff


Basso, batteria e quattro fiati. Si presentano così i Dead Cat Bounce ensemble fondato nel 1997 da Matt Steckler e giunto con Chance Episodes (lavoro originariamente commissionato dalla Chamber Music America) alla quarta pubblicazione. Potenza e ricchezza espressiva da big band, duttilità da piccolo combo, flessibilità nell'attraversare con leggerezza gli stili e i generi più disparati è la cifra espressiva di Dead Cat Bounce. Che considerano la loro musica una sorta di rielaborazione catartica di storie ed eventi personali sottoposti ...


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