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About Clifford Jordan

6

Album Review

Clifford Jordan Quartet: Night of the Mark VII

Read "Night of the Mark VII" reviewed by Pierre Giroux

by Pierre Giroux

Clifford Jordan's Night of the Mark VII, recorded live in Paris in 1975, is a remarkable document, a reminder of the simple pleasure of listening. It captures four musicians who know precisely who they are, yet remain open to whatever the moment brings. There is no unnecessary display or performative grandstanding. The players enjoy being together, and the audience is fortunate and discerning enough to be there. Jordan was playing his new Selmer Mark 7 tenor saxophone for ...

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21

Album Review

Lee Morgan: Here's Lee Morgan

Read "Here's Lee Morgan" reviewed by C. Andrew Hovan

by C. Andrew Hovan

While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the earliest Black-owned and woman-owned labels but also a remarkably eclectic imprint. Known for its blues releases--and even some early Beatles records--Vee-Jay also documented top-tier ...

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1

Album Review

Eric Dolphy: At Five Spot to Iron Man Revisited

Read "At Five Spot to Iron Man Revisited" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Riunire in un unico CD di quasi ottanta minuti due capolavori cosa determina? Un capolavoro al quadrato, ovviamente, ed è quanto avviene in questo album semplicemente maestoso, i cui primi tre brani riprendono il live inciso al Five Spot il 16 luglio 1961 dal quintetto da favola riunito per l'occasione da Eric Dolphy, all'epoca trentatreenne, il cui nome iniziava finalmente a circolare con una certa insistenza nel mondo del jazz anche al di là dei colleghi che già ne conoscevano ...

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4

Album Review

Clifford Jordan: Drink Plenty Water

Read "Drink Plenty Water" reviewed by Pierre Giroux

by Pierre Giroux

Clifford Jordan, the iconic American jazz tenor saxophonist, has left an indelible mark on the world of jazz. Known for his dynamic playing style and innovative compositions, his album Drink Plenty Water and Walk Slow is a testament to his unparalleled musical prowess. The original album was recorded in 1974 for Strata-East as an LP but did not make it to the catalogue during this period. However, his wife, Sandy Jordan, unearthed this gem, which was remastered for presentation in ...

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4

Album Review

Clifford Jordan: Drink Plenty Water

Read "Drink Plenty Water" reviewed by Dave Linn

by Dave Linn

In August 1974, Clifford Jordan entered the studio for what was to be the follow-up to his acclaimed 2-LP set, Glass Bead Games (1973) for his third album on the Strata-East label. Sadly, the label folded in 1975, and the album was never released. Now, 49 years later, Drink Plenty Water, has finally seen the light of day. It is a time capsule of that collaborative era when jazz stretched its boundaries. It features an all-star roster with a front ...

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10

Album Review

Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly

Read "These Are My Roots: Clifford Jordan Plays Leadbelly" reviewed by Chris May

by Chris May

These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has in 2021 been reissued on vinyl by British audiophile label Pure Pleasure, is of more than passing interest. The hard bop ...

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Album Review

Charles Mingus: @ Bremen 1964 & 1975

Read "@ Bremen 1964 & 1975" reviewed by Stefano Merighi

by Stefano Merighi

"In questo paese--sentenziò Charles Mingus--percepisco ancora intatto il puzzo delle camere a gas e dei campi di concentramento. Ma non fatevi troppi problemi: gli Stati Uniti d'America sono anch'essi un grande campo di concentramento." Il paese era la Germania Ovest, la città era Brema, l'anno il 1964. La dichiarazione è riportata da Joachim Ernst Berendt in un articolo del 1979 e ripresa come incipit dell'indimenticabile Charlie Mingus di Mario Luzzi (Lato Side, 1983) Dichiarazione ...

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