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Chris Potter Underground Orchestra: Imaginary Cities

by Karl Ackermann
In the twenty year span since his debut as a leader on Presenting Chris Potter (Criss Cross, 1994), the Chicago born/South Carolina raised artist has been among the most prolific and in-demand reed players in jazz. Having performed and/or recorded with a wide range of artists from guitarist Pat Metheny to pop legends Steely Dan, Potter is most recognized for his numerous recordings with bassist Dave Holland and several outings with drummer Paul Motian. Beginning with Holland's highly-regarded quintet recording ...
Continue ReadingChris Potter Underground Orchestra: Imaginary Cities

by John Kelman
While he is, perhaps, best-known as a reed and woodwind multi-instrumentalist of tremendous power and versatility--the torch-bearer and logical successor, even, to the late, great Michael Brecker--Chris Potter has also demonstrated remarkable breadth as a bandleader and composer. It's hard to imagine that it's been only 23 years since the 44 year-old first came onto the scene with Red Rodney and began a career as a leader soon after with Presenting Chris Potter (Criss Cross, 1994)--the first of what is, ...
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by Ian Patterson
Nine years after the Pat Metheny Group crowned its mammoth The Way Up (Nonesuch, 2005) tour before 100,000 people at the Montreal Jazz Festival, it seems increasingly unlikely that Metheny will reconvene his main vehicle, not now with a vibrant new group pushing him compositionally and slaying audiences. Or does it? In a 2012 interview with All About Jazz , drummer Antonio Sanchez--who has worked closely with Metheny for a dozen years--said of the PMG: everybody is craving another go ...
Continue ReadingBeing Here: Conversations On Creating Music

by Sammy Stein
Being Here: Conversations On Creating Music Radhika Philip 461 pages ISBN: 13:978-0-989-488006 Radhio.org 2013 Imagine having conversations with a large, diverse group of jazz musicians; old and young, both those who have been around for years and those relatively new to the scene. Radhika Philip has done just that, and documented their reflections in her book. The interviews were carried out in various places, including Philip's home, musicians' homes and various locations ...
Continue ReadingPat Metheny Unity Group: Kin (←→)

by John Kelman
Strangely enough, the release of Kin () may be the one that most polarizes longtime fans of guitarist Pat Metheny. There are those who feel that, beginning with 2005's last recording with his then-longstanding Pat Metheny Group, that he'd become too complex, too chops-heavy and too distanced from the accessible music of recordings like Travels (ECM, 1983) and Still Life (Talking) (Nonesuch, 1987). He further distanced himself from a number of his core constituents with Orchestrion (Nonesuch, 2010), and his ...
Continue ReadingBeing Here: Conversations On Creating Music

by Ian Patterson
Being Here: Conversations On Creating Music Radhika Philip 461 pages ISBN: 13:978-0-989-488006 Radio.org 2013 New York has been the incubator for much of the most dynamic music in the history of jazz. For Bombay-born anthropologist Radhika Philip, witnessing one gig in Smalls was a life-changer. Seduced by the energy of the performance, the thrilling improvisations and the musicians' joyous communication, Philip was inspired to interview some of today's greatest improvisers and composers ...
Continue ReadingChris Potter: The Sirens

by Glenn Astarita
There is little doubt that saxophonist Chris Potter is one of the most important jazz artists of the modern era. Comfortable in a variety of jazz settings, the artist has contributed to several ECM Records-produced albums, yet The Sirens marks his leadership debut for the Germany-based label. Intense, passionate and a dazzling soloist who is a master at building tension and spiraling a given piece towards climactic pinnacles, this production focuses on Potter's holistic talent. With the ambient ECM Records ...
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