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Technocats: Passionata
by Jack Bowers
The Technocats are a Michigan-based co-op septet devoted for the most part to performing the music of fellow Michigander Gregg Hill, who composed every number on the group's 2026 recording, Passionata, including its sure-to-please bonus" track, Double Play." The first of Hill's compositions, Normality," sets the enterprise in motion but in so doing lands slightly on the wrong foot. After that lone misstep, however, Passionata easily qualifies as Comeback Album of the Year, as everything else is beyond ...
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Etienne Charles: Creole Orchestra Featuring René Marie
by Angelo Leonardi
A 18 anni di distanza dal debutto discografico in Culture Shock il trombettista originario di Trinidad & Tobago, si cimenta come bandleader di un ampio organico, in una lussureggiante sintesi di ritmi caraibici e orchestrazioni che vanno dalla tradizione Swing all'hip hop. L'orchestra è un ampliamento della sua storica Creole Soul Band e ospita la cantante René Marie in quattro brani. Etienne ha iniziato a scrivere per ampi organici a partire dalla collaborazione con la stessa cantante ...
Continue ReadingEtienne Charles: Creole Orchestra Featuring René Marie
by Chris May
Trinidad-born Etienne Charles has been fortunate in his associates during his development as a jazz musician. One of the first friends he made on arrival in the U.S.A. in the early 2000s to study at Florida State University was faculty member Marcus Roberts. Among much else, the pianist taught Charles the importance of keeping in touch with his roots. He always said make sure you put where you're from in your music," says Charles in the press materials accompanying his ...
Continue ReadingTechnoCats: The Music of Gregg Hill
by Jack Bowers
The TechnoCats are a group of five talented young musicians, each of whom has ties to Michigan State University in East Lansing, as does composer (and co-producer) Gregg Hill, whose music the TechnoCats perform on this delightful album. One of the quintet's more diverting features is that the only horn is Chris Glassman's bass trombone; another is how seamlessly Glassman's axe blends with those of guitarist Nathan Borton and pianist Xavier Davis. That is made clear from the ...
Continue ReadingNathan Borton: Each Step
by Jane Kozhevnikova
Each Step is the debut recording by guitarist Nathan Borton. As his website accurately states, Borton draws heavily from the mid-western tradition of bebop and blues. His influences include Wes Montgomery, Grant Green and Kenny Burrell. The album offers an enjoyable tour through the straight-ahead tradition. There are three standards early on: Cole Porter's Just One of Those Things," Harry Warren's The More I See You" and John Lewis' Milestones." These show the virtuosity of Borton's solo lines. ...
Continue ReadingNathan Borton: Each Step
by Jack Bowers
Judging from recent album releases, the guitar remains an essential part of the contemporary jazz scene. The latest example among many is this tasteful session led by Kansas-born, Michigan-based Nathan Borton, adding his name to an ample roster of newly minted guitar-led or guitar-centered albums by Doug MacDonald, Graham Dechter, Kristian Borring, Randy Napoleon, John Moulder, Hendrik Braeckman, Paul Bollenback, Matt Dingledine and others. What does Borton have that they may not? When it comes to technique and perceptionthat is, ...
Continue ReadingNathan Borton: Each Step
by Dan McClenaghan
The 1960s were fine and formative times for jazz guitar. Wes Montgomery was there. So was Grant Green. The pair led the pack, and still do, to an extent. Guitarist Nathan Borton, with his debut recording, Each Step, embraces the traditions of these two influences. Borton's sound comes directly out of the straight ahead bebop style, beginning with the album's title tune, a Borton original--a gorgeous easy swinger. Cole Porter's oft-covered Just One Of Those Things" turns up ...
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