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Rodrigo Amado: Wailers
by Mark Corroto
A decade ago, it would have been easy to assume that saxophonist Rodrigo Amado's This Is Our Language (Not Two, 2015) was a singular encounter rather than the beginning of an enduring ensemble. Amado had previously collaborated with bassist Kent Kessler and drummer Paal Nilssen-Love on Teatro (European Echoes, 2006), while drummer Chris Corsano would join him for a pair of exceptional duo recordings. The final piece was the legendary Joe McPhee, whose presence elevated the quartet's debut into something ...
Continue ReadingRodrigo Amado / Joe McPhee / Kent Kessler / Chris Corsano: Wailers
by John Sharpe
Wailers captures Portuguese saxophonist Rodrigo Amado's This Is Our Language quartet at a fascinating juncture, revealing fresh dimensions within one of his most compelling working bands. An unchanged lineup features reedman Joe McPhee (restricting himself solely to tenor), bassist Kent Kessler and drummer Chris Corsano alongside the leader's tenor saxophone. Recorded in a Lisbon studio in 2019, the album now arrives with the feel of an archival issue. But it constitutes the first since Let The Three Be Men (Trost, ...
Continue ReadingRodrigo Amado: The Healing
by John Sharpe
The Healing unites tenor saxophonist Rodrigo Amado and drummer Chris Corsano in a tremendous set that tempers visceral power with nuanced exchange. An archival release, it documents a 2016 live date at Lisbon's ZBD Club, marking the second recording by this duo, after a 2014 session issued as No Place To Fall (Astral Spirits, 2019). However the Portuguese reed player and American percussionist have been comrades since 2012 in a quartet completed by bassist Kent Kessler and saxophonist-trumpeter Joe McPhee ...
Continue ReadingRempis / Adasiewicz / Corsano: Dial Up
by Mark Corroto
Chicago has long been a magnet for creative musicians. Louis Armstrong left New Orleans for the Windy City in 1922, and Sun Ra arrived in 1945 to begin reshaping its musical landscape. Fast-forward to the 1990s, and Chicago welcomed saxophonist Dave Rempis, who quickly became a central force in the city's improvised-music scene. After emerging in the Vandermark 5, he established his voice through numerous groups, including The Rempis Percussion Quartet, The Engines, Kuzu, Ballister, and a vast network of ...
Continue ReadingRodrigo Amado / Chris Corsano: The Healing
by Mark Corroto
Imagine the blank canvas that tenor saxophonist Rodrigo Amado and drummer Chris Corsano set out to fill in this live recording from Lisbon, Portugal's ZDB in September 2016. Between them, they have nearly three hundred recordings and three times as many performances--an arsenal of sounds, textures, and ideas ready for deployment. Their orbits often intersect: Amado leading his Motion Trio, The Attic, The Bridge and collaborating with Luís Lopes, Alexander von Schlippenbach, among others; Corsano sharing stages and studios with ...
Continue ReadingRodrigo Amado / Chris Corsano: The Healing
by Troy Dostert
Among recent partnerships in free improvisation, the saxophone/drum tandem of Rodrigo Amado and Chris Corsano has been one of the most dynamic and incendiary. They have joined forces in one form or another since the early 2010s; the recording which first put them on the map was their effort with Joe McPhee and Kent Kessler, the widely-celebrated This Is Our Language (Not Two Records). They continued this fruitful project with equally stirring results on A History of Nothing (Trost, 2018) ...
Continue ReadingJohn Butcher / Florian Stoffner / Chris Corsano: The Glass Changes Shape
by John Sharpe
British saxophonist John Butcher cultivates a network of like-minded collaborators around the world, with whom he seeks to connect on an occasional to regular basis. Although only formed in May 2022, the trio with American drummer Chris Corsano and Swiss guitarist Florian Stoffner must be among the most potent combinations. Affirmation comes from the nine tracks included on The Glass Changes Shape that were culled from a live performance at Loft in Cologne in September 2023. Each man ...
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