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About Chris Cheek

Album Review

Guillermo Klein Quinteto: Telmo's Tune

Read "Telmo's Tune" reviewed by Angelo Leonardi

by Angelo Leonardi

Sono passati tre decenni da quando l'argentino Guillermo Klein debuttò a New York col magistrale El Minotauro (Candid) evidenziando quelle doti di fantasioso orchestratore e bandleader che abbiamo apprezzato nei vari dischi incisi col suo ensemble Los Guachos e con la Swiss Jazz Orchestra. Negli anni l'abbiamo visto esibirsi anche con organici ridotti, dal quintetto presentato al Village Vanguard nel 2014 al minimale concept album con Rebecca Martin, Larry Grenadier e Jeff Ballard (The Upstate Project, Sunnyside, 2017). ...

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Album Review

Alex Hitchcock: Dream Band

Read "Dream Band" reviewed by Geno Thackara

by Geno Thackara

Alex Hitchcock has a lot of energy and a lot of ideas; four recordings have apparently left him in no danger of running out. Clearly it helps to have met plenty of friends and collaborators along the way. Besides the mutual inspiration that arises between generous players, he knows he will probably have a voice available (instrumental or literal) for just about any germ of a song that arises. Where each previous recording revolved around a single lineup, the cast ...

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Album Review

Pablo Ablanedo: Christreza

Read "Christreza" reviewed by Glenn Astarita

by Glenn Astarita

This LP clocks in at around 38-minutes and is a bit of a tease since it progresses rather quickly and may leave many listeners wanting more. Here, Argentine-reared pianist/composer/educator Pablo Ablanedo's compositional gifts often take on cinematic film scoring intonations and developments, executed with jazz luminaries who the artist met while attending the Berklee College of Music in 1999. Owing to his heritage, the leader infuses subtle Latin jazz foreground grooves into several movements, whereas the opener “La ...

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Album Review

Rajiv Jayaweera: Pistils

Read "Pistils" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

New York-based drummer Rajiv Jayaweera had quite the international upbringing. Born in London to Sri Lankan parents, Jayaweera grew up in Melbourne, where he completed his Bachelor of Music at the Victorian College of the Arts before finishing his Masters in Jazz studies in New York in 2013. In the liner notes of his debut album Pistils, Jayaweera explains that the album is dedicated to his grandparents and the music on it draws inspiration from his Sri Lankan roots and ...

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6

Album Review

Rajiv Jayaweera: Pistils

Read "Pistils" reviewed by Dan Bilawsky

by Dan Bilawsky

While London-born, Melbourne-reared, New York-based drummer Rajiv Jayaweera's work is naturally colored by his experiences spanning those points on the map, it's his Sri Lankan heritage that most greatly informs and influences this debut. Drawing inspiration from memories of nature, sounds and scents surrounding his grandparents' garden there, Jayaweera creates a musical sanctuary and wonderland painted in vivid colors. Pistils, a title referencing the seed-bearing, reproductive portion of a flower, plays on blooming beauty at its first ...

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7

Album Review

Andrew Hartman: Compass

Read "Compass" reviewed by Edward Blanco

by Edward Blanco

New York-based jazz guitarist Andrew Hartman offers his second album as leader with the modern jazz-like Compass featuring nine originals and a newly-arranged rendition of the Paul Simon classic “America." The music is decidedly modern with a taste of the Brazilian and Indian musical influences. Originally from Cincinnati, OH, Hartman moved to London, UK in 2011 where he worked as a freelance musician and teacher and during that time, the guitarist began working on a handful of compositions and arrangements ...

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Album Review

Charlie Haden / Liberation Music Orchestra: Time/Life:Songs For The Whales And Other Beings

Read "Time/Life:Songs For The Whales And Other Beings" reviewed by Ian Patterson

by Ian Patterson

Formed by bassist Charlie Haden in 1969 to protest America's war in Vietnam/Indochina, the Liberation Music Orchestra has reconvened roughly every ten years to record musical protest in the face of major injustices. Time/Life: Song for the Whales and Other Beings was inspired by concern at global ecological destruction, and to that end the music has a pervasive melancholy colored by the LMO's signature lyricism, and broken up by stirring collective and individual passages. The LMO's personnel has ...

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