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Things We Like: Novembre 2016

Read "Things We Like: Novembre 2016" reviewed by AAJ Staff

by AAJ Staff

By VIC ALBANI Se state cercando un grande regalo musicale per il prossimo natale, ecco uno dei più dischi più belli e interessanti degli ultimi anni, sopra ogni etichetta, sopra ogni genere. Before the Dawn, raccoglie lo straordinario ritorno sulle scene “una tantum" di sua maestà Kate Bush, vale a dire la migliore interprete di musica britannica dell'ultimo mezzo secolo. Le ventidue date che la performer inglese ha regalato nell'agosto e settembre 2014 (sold out dopo ...

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32

Profile

Remembering Charlie Haden

Read "Remembering Charlie Haden" reviewed by Michael Ricci

by Michael Ricci

We're celebrating the spirited life and music of bassist Charlie Haden (1937-2014) who passed away on July 11th. We've included links to four archived interviews as well as our coverage of Mr. Haden's music from years past. Charlie Haden: An Analog Guy in a Digital World (2004) Born August 6, 1937 in Shenandoah, Iowa, Charlie Haden came up in a musical family. After moving around the Midwest, he eventually settled in Los Angeles playing bass with ...

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20

Extended Analysis

Carta de Amor

Read "Carta de Amor" reviewed by John Kelman

by John Kelman

It's sure been a banner year for fans of the ECM label, with a slew of fine new releases from artists including guitarist John Abercrombie (Within a Song), bassist Arild Andersen (Celebration), pianist Tord Gustavsen (The Well), and saxophonist Tim Berne (Snakeoil). Previously out-of-print or never-before-in-print studio recordings from saxophonist Jan Garbarek (Dansere) and pianist Jon Balke (Magnetic Works: 1993-2001 ) are now back in circulation. And, for the first time since bassist Charlie Haden's duet record with pianist/guitarist Egberto ...

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128

Album Review

Charlie Haden / Hank Jones: Come Sunday

Read "Come Sunday" reviewed by Mark F. Turner

by Mark F. Turner

Come Sunday continues the dialog between two jazz masters--bassist Charlie Haden and pianist Hank Jones--that began with 1995's Steal Away (Verve). The topic of discussion concerns hymns, spirituals, and beloved tunes which are, without a doubt, personal and familiar to both musicians. Jones (the elder sibling of jazz luminaries Elvin Jones and Thad Jones) was the son of a devout Baptist deacon while Haden grew up performing in his family's radio show, which included country and American folk music.

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257

Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by Dan McClenaghan

by Dan McClenaghan

Konitz/Mehldau/Haden/MotianLive at BirdlandECM Records2011 The tunes are familiar, Great American Songbook and jazz standards all. So for those unfamiliar with the names involved in this quartet outing, the old complaint of “same old same old" could surface. But with alto saxophonist Lee Konitz at the top of the listing, “same old same old" gets rolled out the door. Konitz, with over 60 years of professional experience--from the 1949 Birth ...

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176

Live Review

Charlie Haden Quartet West: Norwich, UK May 19, 2011

Read "Charlie Haden Quartet West: Norwich, UK May 19, 2011" reviewed by Bruce Lindsay

by Bruce Lindsay

Charlie Haden Quartet WestSt Peter Mancroft ChurchNorwich, UKMay 19, 2011 The warm and sunny spring weather meant that queuing outside the venue was more of a pleasure than a chore for the jazz fans waiting to see and hear Charlie Haden Quartet West in the impressive surroundings of St Peter Mancroft church, in the centre of Norwich. Good-natured conversation, often with strangers, added to the pleasure and when the doors of this beautiful Norfolk church ...

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194

Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by John Kelman

by John Kelman

Grist for what seems like an endless flow of recordings, The Great American Songbook has, ultimately, become as much a crutch as it is an inspiration. There's no denying the staying power of music that's near-Jungian in its collective familiarity, but if an artist is simply running down the tunes, à la Real Book--head, solo, head--the music too easily becomes nothing more than a tired retread, a kind of whitewashing that, rather than moving jazz forward, stops it in its ...

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