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Jazz Articles about Charles Lloyd

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Interview

Charles Lloyd: The Winds Of Grace

Read "Charles Lloyd: The Winds Of Grace" reviewed by Ian Patterson


At seventy nine years young Charles Lloyd is showing no signs of slowing down. The summer months see the Memphis saxophonist/flautist on the North American and European festival circuits with his quartet of Gerald Clayton, Reuben Rogers and Eric Harland, followed by dates with The Marvels, Lloyd's most recent group, featuring Bill Frisell, Greg Leisz, Rogers and Harland. The latter formation's baptism came with the acclaimed I Long to See You (Blue Note, 2016), and the good news ...

14
Album Review

Charles Lloyd: Passin' Thru

Read "Passin' Thru" reviewed by Dan Bilawsky


Admit it. You were wondering if Charles Lloyd's post-millennial quartet was no more. Am I right? We haven't really heard from that group in a while, so nobody could blame you for thinking it. When Lloyd made the jump to Blue Note Records in 2015, his opening salvo came in the form of a six-part suite that brought him into contact with a new crew that blended Greek mysticism and jazz currents in equal parts; then, when ...

Album Review

Charles Lloyd New Quartet: Passin' Thru

Read "Passin' Thru" reviewed by Angelo Leonardi


Alla soglia degli ottant'anni Charles Lloyd continua a mostrare la vivacità e l'energia di un trentenne. Abbiamo appena terminato d'apprezzare la collaborazione con Bill Frisell, Greg Leisz e altri nel progetto The Marvels (I Long to See You Blue Note 2016) che la storica etichetta annuncia la pubblicazione di Passin' Thru, terzo disco del suo New Quartet con Jason Moran al pianoforte, Reuben Rogers al contrabbasso ed Eric Harland alla batteria. Il disco giunge nel decimo ...

7
Album Review

Charles Lloyd & The Marvels with Lucinda Williams: Masters Of War

Read "Masters Of War" reviewed by Dan Bilawsky


Plus ça change, plus c'est la même chose (The more things change, the more they stay the same) --Jean-Baptiste Alphonse KarrMore than half a century has come and gone since Bob Dylan penned “Masters of War," yet the song's message remains as relevant as ever. On January 20, 2017--the very day that Donald Trump took the Oath of Office and became the 45th President of the United States of America--saxophonist Charles Lloyd joined a rapidly growing chorus of ...

7
Book Review

Charles Lloyd: A Wild, Blatant Truth

Read "Charles Lloyd: A Wild, Blatant Truth" reviewed by Ian Patterson


Charles Lloyd: A Wild, Blatant Truth Josef Woodard 229 Pages ISBN: 978-1-935247-13-5 Silman-James Press 2016 A book on Charles Lloyd--one of the most celebrated and enigmatic jazz musicians of the past fifty years--has been a long time coming. It's been a while in the making too, for author Josef Woodard spent twenty five years doing the groundwork, repeatedly interviewing Lloyd, following his career for Downbeat/JazzTimes and other publications and even traveling on ...

4
Live Review

Charles Lloyd Quartet at Vicar Street

Read "Charles Lloyd Quartet at Vicar Street" reviewed by Ian Patterson


Charles Lloyd Quartet Vicar Street Dublin, Ireland November 16, 2016 Two years after playing Dublin's National Concert Hall, NEA Jazz Master Charles Lloyd returned to the Irish capital and the more intimate surroundings of Vicar Street. Last time out Lloyd's New Quartet featured Gerald Clayton in lieu of Jason Moran, Joe Sanders in lieu of Reuben Rogers, and Eric Harland. Here only Clayton remained, with the returning Rogers and Kendrick Scott rounding out the unit. ...

12
Album Review

Charles Lloyd and The Marvels: I Long to See You

Read "I Long to See You" reviewed by Ian Patterson


Rather than easing off since turning seventy in 2008, Charles Lloyd has instead upped the ante, producing some of the finest music of his career. Whatever spiritual quest Lloyd is on, it continues to spur the veteran saxophonist to heady musical heights and I Long to See You (Blue Note, 2016) is no exception. Lloyd's well-established rhythm team of Rueben Rogers and Eric Harland is joined by Bill Frisell--whose presence marks a return to the guitar in Lloyd's music for ...


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