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About Carmell Jones

2

Radio & Podcasts

Have You Met Mr. Jones?

Read "Have You Met Mr. Jones?" reviewed by Patrick Burnette

by Patrick Burnette

At Mike's suggestion, today's podcast explores the truncated career of hard bop trumpeter Carmell Jones. We listen to four albums featuring the little-known musician and talk about the arc of his career, his work with running buddy Harold Land, and why he could'a been a hard-bop contender given the right circumstances.Playlist Discussion of Carmell Jones' album Business Meetin' (Pacific Jazz) 7:30 Discussion of Harold Land's album Jazz Impressions of Folk Music (Imperial) 25:06 Discussion of Charles McPherson's album ...

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1

Liner Notes

Nathan Davis Quintet: The Hip Walk

Read "Nathan Davis Quintet: The Hip Walk" reviewed by Ken Dryden

by Ken Dryden

There are numerous examples of talented American jazz musicians who had long careers but were overlooked by critics, broadcasters and much of the jazz audience, often because they spent decades as full time jazz educators, which limited their opportunities to tour in support of their recordings. Nathan Davis, primarily known as a tenor and soprano saxophonist, though he was also a fine flautist and clarinetist, falls into that category, though part of the reason he is lesser known is that ...

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Album Review

Horace Silver: Live New York Revisited

Read "Live New York Revisited" reviewed by Stefano Merighi

by Stefano Merighi

Benchè il profilo artistico di Horace Silver sia preso a modello in modo paradigmatico per definire lo stile hard bop nel jazz moderno, è altresì interessante notare come Silver, sin dalle sue prime uscite, abbia sempre cercato di evitare gli schemi predeterminati che soprattutto le etichette discografiche cercavano di replicare dopo aver trovato la formula del successo. Ad esempio, Silver non amava le scalette miste, quelle cioè che infilavano d'abitudine uno standard proveniente da Tin Pan Alley all'interno di un ...

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18

Album Review

Horace Silver Quintet: Live New York Revisited

Read "Live New York Revisited" reviewed by Chris May

by Chris May

This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which is enough to practically raise the dead; and the quality of the CD mastering by the ezz-thetics label's sonic jedi Michael Brändli, whose work ...

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6

Album Review

Harold Land: Westward Bound!

Read "Westward Bound!" reviewed by Peter J. Hoetjes

by Peter J. Hoetjes

One can't help but wonder how large the stage may have been for tenor saxophonist Harold Land had he not tethered himself to the west coast for the majority of his career. In 1954 Land moved from Santa Monica to Los Angeles and quickly earned himself a place in the immensely popular Clifford Brown/Max Roach band, beginning with the aptly named Jam Session (EmArcy, 1954). Called back to Los Angeles in 1956 by the responsibilities of being a ...

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10

Album Review

Harold Land: Westward Bound!

Read "Westward Bound!" reviewed by Pierre Giroux

by Pierre Giroux

Until 1954 Harold Land was a relatively unknown tenor saxophonist. He experienced a surge in his standing with the release of Clifford Brown & Max Roach (Emarcy 1954) when he was part of this high-profile, but short lived, bebop quintet (1954-56). A decade later, this hard-bop player was recognized for his engaging ideas and robust tone and is the center of Westward Bound! a Reel To Real Limited Edition 180 gram 2LP gatefold release produced by Cory Weeds and Zev ...

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333

Album Review

Carmell Jones: Mosaic Select 2

Read "Mosaic Select 2" reviewed by C. Andrew Hovan

by C. Andrew Hovan

I have to claim a special affinity for the music of trumpeter Carmell Jones as documented on this three-disc set. Going back to an interview I conducted with Mosaic’s Michael Cuscuna a few years back, I commented on how much of the Pacific Jazz material that had been reissued up to that point consisted largely of albums from the ‘50s, ignoring the following decade’s trinkets. Cuscuna shared my feelings and expressed his desire to find some way to package items ...

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